- Critic score
- Publication
- By date
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FilterRife with evocations of springtime and shooting stars and first loves. [#19, p.102]
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The record paints The Concretes’ personality in richer detail without giving up one iota of their distinctive spookiness.
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The album snuggles up between the band's fellow Swedes the Cardigans and the Mamas and the Papas, but never settles.
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Q MagazineMogis finds a spectrum of hues in their previously monochrome sound. [Apr 2006, p.113]
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Under The RadarGreat songs--perhaps classic songs--share the table with a few sub-par, albeit pleasant, offerings. [#13, p.84]
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Paste MagazineIn Colour's palette trades the silver hues of frosty Stockholm for the quivering bronze of cornfields in July. [Apr/May 2006, p.110]
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Full of quietly vibrant moments.
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Entertainment WeeklyAs pretty and tuneful as In Colour is, though, happiness doesn't entirely suit Bergsman's aloof delivery. [7 Apr 2006, p.59]
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In Colour trades much of the punch from their first self-titled full-length for a more tender (is that even possible?) and reflective muse.
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The incessant hooklines cloy a little after repeated listens, but that’s hardly the most damning criticism of a pop band.
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The off-kilter choruses and softly-voiced lyrics take their time to reveal themselves.
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The result still falls within the confines of lilting indie pop but this time goes beyond cutesy pastiche.
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UrbTecnicolor Wall of Sound confections. [Apr 2006, p.96]