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- Critic score
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Sep 13, 2016Challenging and proudly disjointed, Innocence Reaches showcases a deranged songwriter whose fickle character knows no bounds.
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Aug 15, 2016Mostly it feels like he’s lost in the dress-up box, never quite finding a mask to fit his ever-changing face.
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Aug 11, 2016You might sometimes wish Barnes would curb his more outlandish impulses; when focused, he is a fine songwriter.
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Q MagazineAug 5, 2016Crazy as ever, then, but still just about in an endearing way. [Sep 2016, p.108]
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Aug 9, 2016By lacking any resonant peg and showing little advancement, the record feels like a question mark, a gray spot on the timeline.
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Aug 22, 2016There are some genuinely fun, compelling moments of music, some striking lyrics, and the smattering of modern electronic dance sounds definitely livens things up. But at an hour long, it feels too convoluted: lacking in cohesion and, ultimately, too devoid of specific intent.
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Aug 11, 2016Innocence Reaches is lighter than last year’s appropriately titled Aureate Gloom, but it’s less fun than it thinks it is, and in pursuing a more “current,” electronic-inspired sound, it’s lost the psychedelic charms of a better post-peak Of Montreal album like, say, 2013’s lousy with sylvianbriar.
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Aug 15, 2016In trying so desperately to be universal, they’ve ended up with their most stiflingly insular album yet.
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Aug 12, 2016Unfortunately, this slightly more mainstream vision is consistently obscured, making Innocence Reaches a frustrating listen.
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Aug 10, 2016The amount of fatigue and cynicism baked into 14th album Innocence Reaches is not just a bummer; it's verging on ominous.
User score distribution:
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Positive: 10 out of 16
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Mixed: 4 out of 16
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Negative: 2 out of 16
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Sep 26, 2016
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Aug 21, 2016