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Entertainment WeeklyHis Great Solo Album, folding his obsessions with Afro-Cuban rhythms, Brazilian art song, American soul-funk, and workaday surrealism into perhaps his sweetest melodies ever. [11 May 2001, p.80]
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The former Talking Head has rarely sounded so vital.
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Perhaps his most humane album and warmest work to date.
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Unexpectedly, though, some of the record's best moments come when Byrne strips away the rhythmic accessories and relies on basic orchestral backing... And yet, the majority of the album still relies on primal, swinging grooves.
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What makes this disc cohere is the world view presented in Byrne's quirky lyrics, sometimes stark to the point of simplicity and often with the detached tone of an observer alternately shocked or amused.
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This is an album about textures, grooves, and sounds, but it's not really about songs. Once one is done decoding its structure, Look Into the Eyeball is an elegant but empty building.
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BlenderWhile Eyeball is essentially a breezy gloss on the blend of idiosyncratic pop chops and exotica that characterizes much of the Luaka roster, it's buoyantly lightweight nonetheless. [Jun/Jul 2001, p.106]
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Often thought of as ahead of his time perhaps Byrne is now in the perfect position to articulate the angst of socially unskilled western white men who find themselves taking over the world via new technology. The album's glut of different rhythms speaks of a man trying to find his groove.
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Alternative PressA perfectly pleasant background score for pasta-making, garden work, and other stuff 40-something yuppies waste their time on. Which makes it my definition of hell, actually. [Jul 2001, p.60]
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The WireWithout the strength of material to prompt the question of whether Byrne should be taken at face value or not, the songs on Look Into The Eyeball simply glide by unobtrusively, and Byrne's romantic sentiments start to sound like Paul McCartney at his blandest. [#208, p.53]
Awards & Rankings
User score distribution:
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Positive: 5 out of 6
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Mixed: 0 out of 6
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Negative: 1 out of 6
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StephenD.Jun 27, 2001