Metascore
69

Generally favorable reviews - based on 19 Critic Reviews

Critic score distribution:
  1. Positive: 13 out of 19
  2. Negative: 1 out of 19
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  1. Feb 16, 2016
    80
    [A] sensational self-titled release. Mixing the album’s overall tone with soul, rock, electronic, and hip hop, the album has a vibe that is something close to Mike Patton’s baby Peeping Tom.
  2. Magnet
    Feb 12, 2016
    80
    With each layer adding something to the stew when time on their own endeavors allowed, Nevermen is a successful and forward-thinking act of sonic maximalism. [No. 128, p.52]
  3. Kerrang!
    Feb 10, 2016
    80
    Like Patton's day job, Nevermen succeed in making the world a much weirder and interesting place. [13 Feb 2016, p.54]
  4. Feb 9, 2016
    80
    It's a cavalcade, certainly, but a thrilling one which feels like the proper realisation of Adebimpe, Drucker and Patton's quixotic talents combined.
  5. Jan 26, 2016
    80
    The results are a timeless, genre-smashing work with a psychedelic soul.
  6. Mojo
    Jan 26, 2016
    80
    Delightfully chewy collaboration. [Feb 2016, p.90]
  7. Apr 5, 2016
    70
    The end result is an album that feels like a group of experienced musicians experimenting and amusing themselves without sacrificing a core thread of melody.
  8. Feb 1, 2016
    70
    The trio trade lines like they’re flashing secret handshakes to each other--it’s a complex process, fingers flying and interlocking, each gesture laden with meanings that an outsider can’t even fathom.
  9. Jan 29, 2016
    70
    Although largely a strong body of work, the album’s borderline moments of geniune greatness--'Hate On', 'Dark Ear' and 'Mr. Mistake', the latter of which is surely the most sonically soothing track to reference a nuclear winter--aren’t replicated with any real consistency.
  10. Jan 27, 2016
    70
    Certain stretches of the album, such as "Hate On," could have benefitted from one or two less layers of sonic abstraction and a bit more breathing room. But the interlocking harmonies, call-and-response lead turns and unexpected acoustic riffs of "Mr Mistake" show that these weirdos can do pop on their own terms whenever they want to.
  11. Jan 26, 2016
    70
    The trio coheres remarkably well, and the blizzard of ideas works like regular blasts of fresh oxygen or caffeine. Or both. [Jan/Feb 2016, p.58]
  12. Jan 26, 2016
    70
    A little more focus in that department [including everyone's vocals in each song] would have gone a long way toward giving some ballast to this soupy, stormy effort. [Feb 2016, p.102]
  13. Jan 26, 2016
    67
    In large part, the songs on Nevermen come across exactly as that: songs, specifically made in a studio by a group of individually talented musicians.

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