
- Summary: The ninth full-length studio release for the pop-punk trio features production by John Feldmann, The Futuristics and Tim Pagnotta.
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- Record Label: Columbia
- Genre(s): Pop/Rock
- More Details and Credits »
Top Track
Happy Days | |
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Hey kid, don't quit your daydream yet I know you feel locked out in the cold Seems like you're lost and alone Hey kid, don't listen to your head It... | See the rest of the song lyrics |
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Score distribution:
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Positive: 6 out of 10
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Mixed: 3 out of 10
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Negative: 1 out of 10
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Sep 19, 2019A spiritual follow up to 2003’s ‘Untitled’, ‘Nine’ sees the trio as confident adventurers. Dealing with the ideas of despair, loneliness and longing, the record doesn’t shy away from the shadows but you’re never far from a dash of hope.
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Kerrang!Sep 19, 2019On Nine it feels like the band are finding a new lease of life in the dark days of 2019. [4 Sep 2019, p.53]
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Sep 30, 2019The album is pretty much a joyride from start to finish, moving through a number of different styles, driven by some of the best damn drumming you’ve ever heard. And everyone involved in writing these songs (yes, including Feldmann) is a talented lyricist who knows how to craft excellent pop songs. So ultimately, it’s a brilliantly fun album if you have the fortitude to look past a lot of very annoying studio effects to listen to what Blink-183 are really saying.
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Sep 19, 2019While Nine is by no means a dour emo record, it carries enough emotional heft to elevate it as one of blink-182's strongest late-era efforts, one that matures the typical blink sound with its commitment to vulnerability and honesty.
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Sep 30, 2019It’s surprising how well the new sound works, though the voice of Skiba doesn’t always mesh comfortably with the production. As always, angst and unrequited affections are aplenty, but it all feels far too tame.
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Sep 19, 2019Blink-182’s second album with Matt Skiba is ultimately subpar, weighed down by stereotypical lyrics and cloying choruses. Producers John Feldmann and Tim Pagnotta’s heavy use of compression makes NINE as in-your-face as possible, not giving the songs the necessary breathing room to develop without overproduction.
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Sep 19, 2019Nine reeks of adolescence — and not in the goofy, humorous way of Blink-182's past, but in a cringe-y attempt at youthful angst. There are no slyly couched bits of wisdom, no life lessons learned between goof-ups and heartbreak, and it's altogether too earnest and self-serious to even be enjoyed as carefree fun. Blink-182 have always been intentionally juvenile, but in growing up and out of punk rock, they've never been more immature.
Score distribution:
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Positive: 27 out of 48
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Mixed: 7 out of 48
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Negative: 14 out of 48
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Sep 20, 2019Every song, lyrics and sound is particular and different. The album is really significant. Good job Blink-182.
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Sep 20, 2019
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Sep 20, 2019
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Sep 26, 2019
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Sep 20, 2019
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Apr 30, 2020
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Sep 27, 2019
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