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Jan 5, 2024It is a slow-burning piece that encourages us to view time in geological rather than human terms – the rapturous, otherworldly sounds that the planet might continue to make long after humanity’s extinction.
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The WireJan 5, 2024[“Vapours”] is brilliantly executed and, in places, genuinely frightening. Yawning drones and hissing percussive swells open the gates to chaos in “Of Shadow And Substance”, an epic 21 minute churn of layered tape loops, cello and bass strings, harp and percussion. .... The piece is more haunted and atmospherically dense than its predecessor, however both pieces share a remarkable sense of immediacy.
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Jan 5, 2024Bertucci’s work continues to develop. Of Shadow and Substance presents two facets of “drone, dissonance, and dynamics” that speak with eloquence, treading lightly but palpably on extra-musical concerns.
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Jan 5, 2024Bertucci might not have the reach of Taylor Swift but, in creating such affecting work, she’s generating a legacy that will hopefully last for as long as there are still humans pacing these receding coast lines.
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UncutJan 5, 2024Large, slow-drifting and majestic masses splinter into smaller sonic units, analogous to the glacial movements that signify environmental change. [Review Of The Year 2023, p.24]