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Oct 30, 2013Sequel To The Prequel’s catchy riffs also induce a sense of familiarity, making it addictive from the off.
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MojoSep 20, 2013Sometimes great, often enchanting, and always disarmingly self-aware portrait of a doomed and wounded hero. [Oct 2013, p.87]
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Aug 30, 2013All in all, Sequel To The Prequel is a consistent and accomplished return from Babyshambles.
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Classic Rock MagazineOct 23, 2013Sequel lacks any major melodic cornerstone in the vein of Kilimanjaro or Down In Abion but it's also without the dreary, narcotic ska rambles that made previous Babyshambles efforts only half-listenable. [Oct 2013, p.90]
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Sep 3, 2013It's a sunny, sweet, excitable record, but it doesn't forget a couple of moments of contrast.
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Sep 3, 2013Doherty is actually flirting with optimism on Sequel To The Prequel.
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Aug 30, 2013some of Doherty’s lyrics are very... peculiar.... But even the weird lyrics merely add charm to this impressive return.
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Oct 10, 2013So why does every record feel like a Year Zero? It’s because each release comes with a caveat; that being “could do better”.
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Sep 3, 2013Nothing to rival ‘Time For Heroes’, then, but this as accessible, and as listenable, as anyone may have hoped for.
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Q MagazineFeb 4, 2014A hit-and-miss affair that sporadically hints at what the man is capable of. [Oct 2013, p.111]
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Sep 6, 2013In the grand scheme of things, Sequel To The Prequel is a definite step in a positive direction.
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Aug 30, 2013Doherty sings repeatedly about holding his head up high. With this unexpectedly united offering, he has earned that right.
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Aug 30, 2013Babyshambles once promised to keep the Arcadian dream alive. Instead, they’ve fizzled out in a fit of mediocrity.
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Sep 3, 2013[A] bog-standard shamateur indie rock, with riffs borrowed from The Smiths and Velvets, lyrics borrowed from Dylan and Iggy.
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Aug 30, 2013The bawled slur that passes for Doherty's vocals is less agreeable the older he gets, while the flaccid grunge plaints and raggedy punk thrashes have diminishing appeal.
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Sep 24, 2013He leans more towards his softer, folksy side here than he did on Shotter’s Nation, and works hard to preserve the instrumental slop and shamble, while ignoring compelling melodies, energy, or a sense of purpose.
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Sep 11, 2013Listening to Babyshambles’ horrible third album is like being stuck on a roundabout with no exits.
User score distribution:
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Positive: 10 out of 14
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Mixed: 2 out of 14
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Negative: 2 out of 14
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Sep 6, 2013
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Sep 6, 2013
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Sep 4, 2013