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Under The RadarAll 10 songs on the album include strings, including the arena-ready 'Air Traffic Control' and the nine-minute 'Hopesick.' Whether these changes represent an improvement for Louis XIV is debatable--mostly it is hit and miss. [Winter 2008, p.83]
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Here they effectively marry T. Rex's trash-glam melodicism to a relentless blue-eyed funk beat. [Feb 2008, p.95]
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The moments of rocked-out swagger are fleeting and ultimately drowned out by a musical and lyrical heaviness that turns the album into a real downer.
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The San Diego rockers haven’t completely reined in their runaway libidos on Slick Dogs and Ponies, but they stray from the devilish attitude that made their brazen dirty talk such a riot.
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There's still too much of Brian Karscig's ultracampy 'Big Balls'--style vocals, and it sometimes feels like these guys have confused expanding their range with finding new sources to rip off.
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Sick Dogs never coalesces into anything more than the sum of its noisy, jagged parts.
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Aside from a handful of tunes, little here is all that memorable, namely because the hooks can’t see their way clear of the repetitive, robotic arrangements.
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Louis XIV has a considerable amount of work to do for listeners to regard them as more than aimless glam-rock fetishists.
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The slightly more dynamic Louis XIV only give you testosterone-fueled rock at its least appealing extremes: heedless lust or, arguably even more repulsive, cheesy balladry.
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Though more adventurous than 2005's "The Best Little Secrets Are Kept," the band's sophomore LP, Slick Dogs and Ponies, still rings soulless at its core.
Awards & Rankings
User score distribution:
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Positive: 19 out of 34
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Mixed: 2 out of 34
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Negative: 13 out of 34
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Aug 31, 2018
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Jun 2, 2015
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JWestApr 2, 2008