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The Bravery’s adrenaline-rush, retro-new-wave/punk rock is back with a flourish. The album is a sonic high, but a mixed bag of lyrical ups and downs.
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Singer Sam Endicott's far more empathetic now that there's a reason behind all that rage.
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Even on its mellower moments, the Bravery sound more excited about making music on this album than they have since their debut, making Stir the Blood a fine return to form.
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While admittedly failing to match up to their self-titled debut, it makes a convincing case for not writing them off just yet.
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They’re out of step, out of time, out of place, and have completely gone off on one in their own strange little world; as such, there’s much to admire about The Bravery. Just never go down to Endicott’s basement.
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Alternative PressWith its techno beats, yowling vocals and laughably cliched lyrics, "I Am Your Skin" fumbles at being a love song, while "She's So Bendable" (the band's vision of Lou Reed fronting the Jesus And Mary Chain) is beyond generic. [Jan 2010, p. 92]
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Fine as hacks, they're somewhat less fine as humans.
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Peppered with aimless, pointless prog-rock, Stir The Blood wants to be fun and affecting, and the band’s failures in the latter regard destroy its ability to manage the former.
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Their petulantly plagiaristic third album--mired in singer Sam Endicott's uncharismatic Robert Smith–in-a-wind-tunnel moan (imagine that hair)--continues to stuff downtown Gotham streets into predictable, rhyming-dictionary couplets.
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Endicott had a hand in penning the excellent title track from Shakira's new album "She Wolf." Perhaps he can preserve some of that creative spark for his own band's next endeavor.
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Someone clinically extracts whatever trace of messy humanity made it through the first time the Bravery worked the nu-wave shtick, on their debut; Stir the Blood is a parodoxically bloodless listen.
User score distribution:
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Positive: 10 out of 12
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Mixed: 1 out of 12
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Negative: 1 out of 12
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Mar 31, 2014
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May 30, 2012