by
Mr. Bungle
- Record Label: Ipecac
- Release Date: Oct 30, 2020
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- Critic score
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Oct 29, 2020The album could stand to be 10 minutes shorter, but who’s to complain about having too much of a good thing? Recorded pre-pandemic, the joy and enthusiasm of the reunion tour is captured here and the results are immensely entertaining. If you like thrash, then the Raging Wrath of the Easter Bunny Demo is mandatory listening.
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Oct 29, 2020What's best is that Raging Wrath of the Easter Bunny doesn't sound like it was brought into the 21st-century kicking and screaming. It does all that and more, but there's so much mad joy at the helm -- this is a band that would close their shows with a faithful cover of the Alan Parsons Project ballad "Time" while masked and covered in blood -- that the material feels bracing, vital, and rooted in the present.
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Oct 28, 2020The Raging Wrath of the Easter Bunny Demo is the most accessible Mr. Bungle album, if it’s possible for thrash metal to be accessible. ... Fans looking for the outlandishness of Disco Volante may be disappointed, but anyone looking for angry, nonsensical mosh music will find everything they need.
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Oct 28, 2020Opting to re-record a largely unknown demo is a fitting way to bring closure to Mr. Bungle's catalogue. Further, the inclusion of previously unheard songs makes this feel like a proper new release, as opposed to an excuse to shove a nostalgic name back into the world.
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Oct 28, 2020Grown men revisiting their youthful hijinks should be a terrible idea or, to borrow an FNM title, a midlife crisis. Instead, this record is an absolute rager, testament to both the original material and the present-day dedication of its lunatic creators.
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Classic Rock MagazineDec 8, 2020A weirdly uncomfortable and exhilarating listening from start to finish. [Jan 2021, p.85]
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Classic Rock MagazineDec 8, 2020A weirdly uncomfortable and exhilarating listening from start to finish. [Jan 2021, p.85]
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The WireDec 3, 2020A further cover from that era, Corrosion Of Conformity’s “Loss For Words”, features alongside three previously unheard songs by the teenage group: “Methematics” stands out as a twisty prog-thrasher with shades of Voivod. It still amounts to a bit of a frippery, and one doesn’t have to look far to find a fan of the band cheesed off at Mr Bungle doing this rather than writing a follow-up to 1999’s California, but they don’t owe anyone anything. [Dec 2020, p.52]
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Oct 28, 2020The crisp, contemporary production is a revelation with the finer details bursting out at every moment. It’s a stark contrast to the original demo, which sounded like they were playing in your neighbour’s flooded garage and hurriedly recording everything direct to tape before the C45 ran out.
User score distribution:
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Positive: 12 out of 14
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Mixed: 1 out of 14
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Negative: 1 out of 14
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Oct 30, 2020
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Oct 30, 2020
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Oct 30, 2020This review contains spoilers, click full review link to view.