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UncutMay 2, 2012Teaming up Oberhofer with veteran producer Steve Lillywhite seems to have drawn out an impressive sophistication. [Jun 2012, p.80]
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Apr 16, 2012Its relentless energy is utterly addictive.
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Apr 16, 2012It gleams like a skate-park erected in the clouds, and this is your invitation to strap on shin-pads, get up there and carve up some cumulonimbus.
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Apr 13, 2012There really isn't much not to like about Time Capsules II; it would take a lot of energy to summon up any hatred for it, like hating a new-born puppy, or your own child.
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Jul 25, 2012There's no deeper level to be revealed in Oberhofer's brief pop-rock tracks and for that reason Time Capsules II remains a consistently easy and pleasant listen.
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Apr 10, 2012Time Capsules II is that kind of album: a buffet of familiar confections designed for easy digestion, painstakingly dressed and seasoned to demand repeat consumption.
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Mar 29, 2012A fresher, grander, and altogether tougher sound [than debut, ooOooOo] in the notoriously flimsy realm of beach-pop.
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Mar 29, 2012Oberhofer has imagination to spare, but Time Capsules II would benefit from reeling in a bit -- most of the songs are at least three and a half minutes long but finished saying what they needed to before reaching that time point, and as welcome as xylophone is on an indie pop record, hearing it on what feels like every song is a bit much.
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Mar 29, 2012A confident and promising debut that will leave you wondering where Brad Oberhofer and his cohorts go from here.
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Mar 29, 2012This is not his creative masterpiece, but there is no doubt that one is yet to come.
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MojoJun 25, 2012While there are moments that grate, this is an assured first outing that suggests that Brad and his band are worth keeping a keen eye on. [Jul 2012, p.83]
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Q MagazineApr 25, 2012Best of all is Cruisin' FDR, which oozes carefree joie de vivre... as it transposes the Californian lifestyle to the East Coast, where even the dark sky is grey "in a beautiful way." [May 2012, p.102]
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Apr 16, 2012He comes on like a Conor Oberst meets Brian Wilson in a ramshackle approach that sounds to these ears like a refreshing burst of honest emotion in an often pallid musical landscape.
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Apr 16, 2012More than anything Oberhofer's optimistic, melodious pop-rock, all "oohs" and "ooh-e-ooh-e-oohs", takes its cues from the Beach Boys.
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Apr 12, 2012Compared to the wool-sweater warmth of those early recordings ["Crocodile Rock", "Babies"] Oberhofer's sad-sack persona and yelping vocal ad libs come off here as less endearing and more desperate, like someone trying to oversell simple songs with eccentric affectation.
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Apr 13, 2012At his best, Oberhofer packs emotional punches in the maniacal vocals of 'I Could Go', underscored by proggy synths, billowing flutes and a chorus that stomps around like a giant drunk toddler. Somehow, Oberhofer's melodrama makes getting dumped sound fun. If only he could keep it up over a whole album...