For 5,924 reviews, this publication has graded:
-
34% higher than the average critic
-
4% same as the average critic
-
62% lower than the average critic
On average, this publication grades 6.1 points lower than other critics.
(0-100 point scale)
Average Music review score: 67
Highest review score: | Magic | |
---|---|---|
Lowest review score: | Know Your Enemy |
Score distribution:
-
Positive: 3,638 out of 5924
-
Mixed: 2,246 out of 5924
-
Negative: 40 out of 5924
5924
music
reviews
-
- Critic Score
Ekko's debut solo LP similarly informs grand pop drama with indie idiosyncrasy – but never quite enough to distinguish it, his stirring tenor notwithstanding.- Rolling Stone
- Posted Feb 10, 2015
- Read full review
-
- Critic Score
It's unclear if the sentiments are intended as poignant or as punch lines. But on a set wired with this much sonic wit, the sincerity question may be moot.- Rolling Stone
- Posted May 7, 2012
- Read full review
-
- Critic Score
On Shaman, too many visitors sound as if they're climbing on a gravy train, handing over standard-issue love songs for Santana overdubs. It makes you wonder whether Santana ever met some of his collaborators.- Rolling Stone
- Read full review
-
- Critic Score
Even when it's too adult-contempo (see Steve Vai grating new age cheese all over "Isfahan") this album always has one thing going for it – it makes you want to listen to some Duke Ellington.- Rolling Stone
- Posted Jul 19, 2012
- Read full review
-
- Critic Score
The album is less a reboot than a re-affirmation of their ability to fuse over-the-top oversharing and Queen-ly operatic stomp with an elastic vision of pop.- Rolling Stone
- Posted Jan 19, 2018
- Read full review
-
- Critic Score
Coyne's kaleidoscope eyes were too big for his own good this time.- Rolling Stone
- Posted Nov 5, 2014
- Read full review
-
- Critic Score
His loudest, most adolescent and downright unwholesome album since the Stooges imploded nearly thirty years ago.- Rolling Stone
- Read full review
-
- Critic Score
The Crystal brothers score low on originality, but they certainly know how to make cheaply pleasurable noise.- Rolling Stone
- Read full review
-
- Critic Score
The songwriting needs a personality infusion and more gray cells, but numbers such as "The Dance" have the enthusiasm of a puppy powered by a nuclear reactor, making the Music an apt opening act for the likes of New Order and Coldplay.- Rolling Stone
- Read full review
-
- Critic Score
Like Dorian Gray with a blowout, nu-metal holdovers Papa Roach have made their latest album sound like an eerie time capsule from the early 2000s.- Rolling Stone
- Posted Jan 27, 2015
- Read full review
-
- Critic Score
This collection of favorites by the likes of Randy Newman, the Carpenters, Jim Croce, Bob Dylan and Elton John, among others, fits easily into her tastefully eclectic comfort zone.- Rolling Stone
- Posted Feb 3, 2015
- Read full review
-
- Critic Score
His obligatory jet-setter brags about high-dollar shopping sprees and b-words he's f-worded strain for credibility, not fooling anybody.- Rolling Stone
- Posted Dec 13, 2011
- Read full review
-
- Critic Score
This record isn’t the return to form that it aims to be, but Chainz is back in his element here.- Rolling Stone
- Posted Feb 4, 2022
- Read full review
-
- Critic Score
Johansson's voice is unremarkable and her pitch sometimes unsteady; she's a faintly goth Marilyn Monroe lost in a sonic fog.- Rolling Stone
- Read full review
-
- Critic Score
If you like rock gratuitously big and laced with soggy self-pity, frontman James Allan, and his enabler, superproducer Flood, are here to help.- Rolling Stone
- Posted Apr 12, 2011
- Read full review
-
- Critic Score
MSTRKRFT keep things bouncing, but they never match Daft Punk or Justice on the hook or cleverness quotient.- Rolling Stone
- Read full review
-
- Critic Score
Devils Night's high points are some of the most accomplished hip-hop we'll hear this year. But the balance between humor, shock, raw talent and psychosis that Eminem achieved on his last two albums is off.- Rolling Stone
- Read full review
-
- Critic Score
The variance in flow helps the 19 tracks here from blending into one another, though the redundancy in sonic choices eventually makes the listener realize how long One of Wun is. None of these beats are bad in a vacuum. But the overall body of work could have used more variance.- Rolling Stone
- Posted May 31, 2024
- Read full review
-
- Critic Score
Nasir is among the weakest Nas albums, but there’s nothing spectacular about its failure. It is, simply, the one thing Nas has avoided being all these years, through revolutionary highs and car-crash lows: dull.- Rolling Stone
- Posted Jun 18, 2018
- Read full review
-
- Critic Score
Britney is by far her most personable album, the most consistently playful and the least wince-inducing.- Rolling Stone
- Read full review
-
- Critic Score
Apart from a voice that makes being bummed out sound almost sensuous, Yorn still hasn't developed a truly distinctive musical personality to go with his one-man-band studio skills.- Rolling Stone
- Read full review
-
- Critic Score
While she begs for a booty call on the twangy single 'Come on Over,' she leaves the real seduction to her restrained delivery and the album's crisp melodies.- Rolling Stone
- Read full review
-
- Critic Score
Songs like "Unzip Your Harrington" and "Luv, Hold Me Down" aren't deep, but the charging-guitar shimmer and fun, facile choruses are pretty undeniable.- Rolling Stone
- Posted Jan 28, 2014
- Read full review
-
- Rolling Stone
- Posted Apr 14, 2015
- Read full review
-
- Critic Score
The result is an uneven record that leaves country’s most irreverent hitmakers sounding needlessly cautious.- Rolling Stone
- Posted Feb 15, 2019
- Read full review
-
- Critic Score
She stops trying to keep up with the Halseys and happily defaults to the fizzy bombast that is her stadium-size safety zone. [Aug 2020, p.72]- Rolling Stone
- Posted Aug 24, 2020
- Read full review
-
- Critic Score
Johnson appears to think that his smooth acoustic surfer music might need a retooling to reflect this scary new world.- Rolling Stone
- Read full review
-
- Rolling Stone
- Read full review
-
- Critic Score
Zac Brown is laboring strenuously to ensure everyone that he still drinks cold beer on a Friday night, apologizing for a musical adventurousness that he'd be better off simply embracing.- Rolling Stone
- Posted May 11, 2017
- Read full review
-
- Critic Score
The default mode here is a soupy power mumble: Passion Pit without the passion, Imagine Dragons without imagination.- Rolling Stone
- Posted Mar 18, 2014
- Read full review
-
- Rolling Stone
- Read full review
-
- Rolling Stone
- Posted Apr 22, 2013
- Read full review
-
- Critic Score
Gomez may be the most boring teen-pop star of her generation. She makes Ashley Tisdale seem like Lady Gaga.- Rolling Stone
- Posted Aug 1, 2011
- Read full review
-
- Critic Score
Snow Patrol fall back to the blandly inoffensive safe zone--though at least they sound a little brighter.- Rolling Stone
- Posted Jan 10, 2012
- Read full review
-
- Critic Score
The album works because Oakenfold has abandoned the stylistic limits of trance yet brought the genre's tuneful oomph to tracks with a little more personality.- Rolling Stone
- Read full review
-
- Critic Score
Godhead's stash of smart musical touches proves they're more than Manson's Mini-Me.- Rolling Stone
- Read full review
-
- Critic Score
This album could easily have been released in the mid-Nineties, when Size and his V Records crew pointed the way forward. Ten years later, it is just a skittery nostalgia trip.- Rolling Stone
- Read full review
-
- Critic Score
The best moments come in the ballads like the blues-tinged 'Four Rusted Horses.' In such songs Manson is almost endearing, just a big melancholy dude with face paint. It's a less glamourous job title than Anticrist Superstar, but these days it suits him better.- Rolling Stone
-
- Rolling Stone
- Read full review
-
- Critic Score
His handlers clearly hope he's the next Bieber; sadly, there's not an ounce of fun in him. Unfriend.- Rolling Stone
- Posted Aug 1, 2011
- Read full review
-
- Critic Score
For an artist whose music aimed for maximum accessibility, often to a fault, Avicii may well be remembered as an innovator. Sadly, this record feels like he was just getting started.- Rolling Stone
- Posted Jun 12, 2019
- Read full review
-
- Critic Score
Goodbye Lullaby is lovelorn and introspective, full of gusty tunes with a surprising message: Avril cares.- Rolling Stone
- Posted Mar 8, 2011
- Read full review
-
- Critic Score
The Lost Tapes II, is a grab bag of loose tracks from this era, four very different album sessions, and naturally it’s a messy display of the many sides of Nas – storyteller, street life narrator, conscious MC, rap showboat, true-school historian, emo diarist – at both his most essential and least essential.- Rolling Stone
- Posted Jul 23, 2019
- Read full review
-
- Critic Score
The LP isn’t overly burdened by the bold-faced guest spots you’d expect on a follow-up by an artist coming off a Top 10 debut. Instead, it gets tripped up by a different sophomore pitfall: Now that he isn’t an underdog, Khalid lapses into a little too much new-star introspection, exploring an ivory-tower aloneness that can recall the Weeknd’s goth-‘n’-B.- Rolling Stone
- Posted Apr 5, 2019
- Read full review
-
- Rolling Stone
- Read full review
-
- Critic Score
Even a goofy Eminem cameo (the "Allen Iverson of safe sex") can't save "C'mon Let Me Ride" from sounding like an over-the-top hookup plea, and "Final Warning," a domestic-violence drama, feels vaguely like tabloid fodder.- Rolling Stone
- Posted Jul 29, 2013
- Read full review
-
- Critic Score
It can be tempting to hear Shelton's new breakup songs--the bitterly comic "She's Got a Way with Words," the coolly regretful "Bet You Still Think About Me"--as targeted toward Lambert, or to imagine Stefani as the someone new he flirts with tipsily on the first single, "Came Here to Forget." Shelton's warmly confident delivery makes those romantic twists and turns sound both lived in but universal.- Rolling Stone
- Posted May 20, 2016
- Read full review
-
- Critic Score
She's doing the same thing she did last time, except it's not as much fun.- Rolling Stone
- Read full review
-
- Critic Score
Pop Psychology opens with the biggest, shiniest songs he's come up with, each taking on a slippery aspect of post-modern romance.- Rolling Stone
- Posted Apr 22, 2014
- Read full review
-
- Critic Score
With On and On, this Hawaiian surfer's croon evokes the mellow-yellow moan of Donovan but without the weirdness that made that psychedelic folkie compelling.- Rolling Stone
- Read full review
-
- Critic Score
Like Get Rich or Die Tryin', only not as good, D12 World works as a polished dramatization of a lifestyle nobody really lives.- Rolling Stone
- Read full review
-
- Critic Score
Beneath the digital production and R2D2 vocals, Akon is secretly an old-fashioned romantic, and his third album is his most heart-on-sleeve.- Rolling Stone
- Read full review
-
- Critic Score
Per the title, this is comfort music, made by a guy who seems to be chilling with friends. If it sometimes sounds too comfortable, well, Clapton has probably earned it.- Rolling Stone
- Posted Mar 12, 2013
- Read full review
-
- Critic Score
Despite the title, her new album is a softer sell--and more appealing--than 2007's Will.i.am-assisted Big.- Rolling Stone
- Read full review
-
- Rolling Stone
- Posted Dec 21, 2010
- Read full review
-
- Critic Score
This New York band's brash second album rages with the upbeat, beat-wise humor that hard rock has suppressed ever since grunge.- Rolling Stone
- Posted Mar 18, 2014
- Read full review
-
- Critic Score
The best moments on Revamp, featuring big names from pop, rock and R&B, are those least faithful to the originals. ... Less successful are efforts of John's glam-pop heirs, like Lady Gaga, who tries and fails to match the master's rococo ebullience.- Rolling Stone
- Posted Apr 6, 2018
- Read full review
-
- Critic Score
While the QC headliners spend much of Vol. 2 spinning their wheels, the undercards provide the more compelling draw and show occasional flashes of brilliance.- Rolling Stone
- Posted Sep 5, 2019
- Read full review
-
- Critic Score
The beats are dandy, tweaked-up period pieces from Sixties ska to Eighties R&B. But song albums, as opposed to DJ mixes, need good songs.- Rolling Stone
- Read full review
-
- Critic Score
White Lies' polished synth rock effuses more melodrama than any young group should be allotted.- Rolling Stone
- Read full review
-
- Critic Score
He is a genuinely engaging artist who raps with impressive intensity and clarity, if not nuance. He confronts his incurable sadness head-on, and it’s easy to identify with his mental health struggles. But for an album about depression, The Search contains a noticeable lack of tension and interior texture.- Rolling Stone
- Posted Aug 16, 2019
- Read full review
-
- Critic Score
This album is Carrabba's rather reasonable pop petition to be dealt back into a game he started.- Rolling Stone
- Posted Feb 9, 2018
- Read full review
-
- Critic Score
Songs From an American Movie sounds orchestral and homespun at once: Lustrous, fancy strings on one song give way to a slap-happy ukulele on the next. Yet it's too much of both and not enough of either.- Rolling Stone
- Read full review
-
- Critic Score
They sound like a marginally smarter American modern-rock act, screaming their pain over raw-boned riffs that could sure use some technicolor pizazz.- Rolling Stone
- Read full review
-
- Critic Score
The tracks are pale imitations of the hyperspeed high-hat-and-bass sound Luger originated - fitting accompaniment for two MCs coasting by.- Rolling Stone
- Posted Aug 11, 2011
- Read full review
-
- Critic Score
On album number (gulp) 10, 311 are still really freaking psyched to be 311.- Rolling Stone
- Posted Aug 1, 2011
- Read full review
-
- Critic Score
On most of Blaster, Weiland's first all-new solo album since 2008, he suffers from a bad case of Generic Rock Voice.- Rolling Stone
- Posted Apr 6, 2015
- Read full review
-
- Critic Score
Unfortunately, Catalano wouldn't waste an "uhh...whatever" on the hammy, bombastic third disc from Leto's band, Thirty Seconds to Mars (with Leto's brother, Shannon, on drums).- Rolling Stone
- Read full review
-
- Critic Score
The reissue is loaded with worthy extras. ... There will never again be a rock bomb quite like Be Here Now, and as such its memory should be honored.- Rolling Stone
- Posted Oct 13, 2016
- Read full review
-
- Critic Score
[His] approach sometimes leaves the songs shapeless, but sad, atmospheric tracks such as "Begging to Be Heard" recall some of New Wave's most seductive aspects without getting too fancy. [11 Aug 2005, p.75]- Rolling Stone
-
- Critic Score
The draw is Davis, who spits scarred-teen scat like a guy whose parents just signed him up for military school. Not easy when you're pushing 40.- Rolling Stone
- Read full review
-
- Critic Score
As a blast back to the past, this is the best album Lenny Kravitz has ever made--a visceral, expertly tailored blend of late-Sixties and early-Seventies classic-rock paraphrases with just enough modernizing to justify the record's copyright date.- Rolling Stone
- Read full review
-
- Critic Score
With 7, instead of blurring the country and rap lines further, he takes the well-trod path to the rock and rap border. Like country-rap, rap-rock is a genre we’ve endured for a long time, maybe too long. Lil Nas X’s version is much more nuanced, if a tad straight-laced.- Rolling Stone
- Posted Jun 21, 2019
- Read full review
-
- Critic Score
Caillat has a fine voice--clear and ringing, with a hint of a rasp--and she can write hooks. (She co-composed every song here.) But the simpering puppy love grows wearying over 12 tracks, especially because Caillat fails to convince as a romantic heroine.- Rolling Stone
- Read full review
-
- Critic Score
More arena-ready and less ickily ponderous than this year's Be As You Are, though not as fun as the frat-rocking honkytonk from his earlier albums. [1 Dec 2005, p.128]- Rolling Stone
-
- Rolling Stone
-
- Critic Score
A handful of songs... work up some palatable L.A. pop, but those moments are surrounded by singer-songwriter cliches and painfully precious asides. [4 May 2006, p.59]- Rolling Stone
-
- Critic Score
Will it provide decent accompaniment for a Gene Simmons blood-belching performance in a packed arena? This big, dumb, catchy record passes that test.- Rolling Stone
- Read full review
-
- Critic Score
Jeff Lynne's production on several tracks puts a Tom Petty-ready spin on laid-back California rock and has Walsh sounding less isolated from modern times than he thinks he is.- Rolling Stone
- Posted Jun 6, 2012
- Read full review
-
- Critic Score
Too much of Welcome to the North sounds like emo on Ecstasy -- all hot and bothered without much to say.- Rolling Stone
- Read full review
-
- Critic Score
What Music lacks is a great hit to pull it all into focus.- Rolling Stone
- Posted Feb 16, 2021
- Read full review
-
- Critic Score
Since then [2008], Usher's marriage imploded--a development that's good for the single ladies of metro Atlanta but yields mixed results on his sixth studio disc.- Rolling Stone
- Read full review
-
- Critic Score
Rise shows where the band’s three stars’ personalities unite in a Venn diagram and work together well. It’s just that these Vampires sound best when they’re sharing the same blood source.- Rolling Stone
- Posted Jun 21, 2019
- Read full review
-
- Critic Score
In the course of the album, it's hard not to notice that all the songs sound the same, and for that matter, they all sound the same as that Avril Lavigne song about the damn cold night, even if Michelle technically got there before Avril.- Rolling Stone
- Read full review
-
- Critic Score
Although Human occasionally slides into easy-listening soul, the still-spiky star delivers assured, remarkably smooth vocals throughout.- Rolling Stone
- Read full review
-
- Critic Score
You can't really go wrong with such great material, but this cynical ploy to sell an oldies tour is completely superfluous.- Rolling Stone
- Read full review
-
- Critic Score
Yet, if the tunes sometimes sag, Debbie Harry's voice remains sharply sculpted.- Rolling Stone
- Posted Sep 28, 2011
- Read full review
-
- Rolling Stone
- Read full review
-
- Critic Score
A few choruses stick, and 'No One Sleeps When I'm Awake' sounds like a solid Heart cover. But the rest? What's Swedish for "meh"?- Rolling Stone
- Read full review
-
- Rolling Stone
- Read full review
-
- Critic Score
The music is screwy yet brutally to the point, unpredictable yet never flighty.- Rolling Stone
- Read full review
-
- Rolling Stone
-
- Rolling Stone
- Posted Nov 23, 2011
- Read full review
-
- Critic Score
The music is pro forma radio pop; the lyrics lean towards insipid inspiration.- Rolling Stone
- Posted Dec 12, 2011
- Read full review
-
- Rolling Stone
- Read full review
-
- Critic Score
Occasionally they attempt to rise above their signature light Brit-pop sound with slightly heavier tunes like "My Eyes Wide Open," but it comes off as forced.- Rolling Stone
- Read full review
-
- Critic Score
Born in the U.K. has some lovely idiosyncratic moments... but not much in the way of new ideas.- Rolling Stone
- Read full review
-
- Critic Score
Sheeran’s unobtrusively sweet voice easily slips between genres, but he struggles to connect with many of his A-list guest artists, deepening the album’s isolated mood.- Rolling Stone
- Posted Jul 16, 2019
- Read full review
-
- Critic Score
Main producer Rodney Jerkins keeps the beats tight and hooks polished, but Furtado's flaming identity crisis makes this cringe listening.- Rolling Stone
- Posted Sep 18, 2012
- Read full review
-
- Rolling Stone
- Posted Oct 23, 2015
- Read full review