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Prince is at his best when his music is unmistakably his. Half of the tracks on 3121 could not have been made by anyone else, but the slushy R&B ballads are not amongst them.
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Even at its best, and it gets pretty damn good, such as on the stark "Black Sweat" and the rock single, "Fury," the record still sounds like it's stuck somewhere in the past.
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But there's more to 3121 than the prickle of nostalgia: amid the title track's murky, unsettling groove and the grinding techno noise of Love, Prince sounds thrillingly alive, a veteran throwing down a cocky, confident challenge to any young pretenders.
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3121 does a bit better than [Musicology], coming up with a handful of infectious songs-- it's his best since the symbol record, although certainly there remains a massive chasm between it and his masterpieces.
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There's nothing on 3121 that Prince hasn't done better before.
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While the hooks don't reach out and grab you the way you long for them to, and though the lyrics aren't as smart as we've come to expect from a composer who once claimed to literally write songs in his sleep, 3121 is a wholly listenable and consistent(ly funky) addition to the catalog of one of music's pop pioneers.
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MojoIt's difficult to judge on one listen. [May 2006, p.104]
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Q MagazineThere are songs here that are terrific.... But 3121 wouldn't be a Prince album if it wasn't also full of filler. [May 2006, p.119]
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Instead of wrenching free of every single confinement that’s ever been placed around his tiny waist, like he’s pretty much always done, Prince is settling into 3121, accepting the decades of his career as what he should be content in emulating.
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Entertainment WeeklyA messier, more elf-indulgent affair than its predecessor. [24 Mar 2006, p.68]
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Despite a few promising creative bursts ("Love," "Black Sweat"), it's another case of dashed expectations, as the disc dissolves into a bloodless puddle of smooth-jazz grooves and lyrics that wither at the hands of the singer's recent religious ideals.
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By the time the disc ends with the James Brown-inspired tight funk workout “Get on the Boat”, complete with guest saxophone solo by Maceo Parker, you’d be excused for having so muddled a perspective as to not remember the few truly standout tracks.
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3121 may be funkier, edgier, and dancier than Musicology, but it still doesn’t push the envelope on a level that would constitute a true return to form.
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One expects more from Prince than this "futuristic fantasy."
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New Musical Express (NME)[It] doesn't really sound like Prince at all. [25 Mar 2006, p.35]
Awards & Rankings
User score distribution:
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Positive: 69 out of 84
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Mixed: 2 out of 84
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Negative: 13 out of 84
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Sep 20, 2017
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MikeLAug 20, 2007
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MCJCJul 21, 2006great album. no touching 'Black Sweat'.