• Record Label: Concord
  • Release Date: Feb 21, 2020
Metascore
66

Generally favorable reviews - based on 18 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 18
  2. Negative: 1 out of 18
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  1. Feb 26, 2020
    83
    Deeply satisfying on multiple levels, Always Tomorrow is great guitar pop and a bracing account of one person’s struggle to construct a new life. Free of sugar-coating or easy answers, it should speak to everyone who wants to take better care of themselves.
  2. Feb 21, 2020
    80
    They've elevated their music from songs you listened to at your job in a coffee shop or in your parents basement, to music you want to play in the car or in your grown up apartment. You can find a sense of nostalgia without losing some of the comfort that age has brought you.
  3. Feb 21, 2020
    80
    Their finest album, full of the tough, hooky rock that made stars of the Go-Gos, the Bangles and ‘Til Tuesday in the 80s.
  4. Feb 20, 2020
    80
    Overtly joyous and bulging with emotions both past and present, this album displays Best Coast at their most content.
  5. Feb 19, 2020
    80
    That there’s room for experimentation, too (see the spoken word outro to Graceless Kids, or the spacey closer Used to Be) speaks to her confidence. This is the record she wanted us to think California Nights was.
  6. Mar 2, 2020
    75
    If the album has any disadvantages, it is that many of the songs sound similar. However, subsequent listens reveal layers previously unheard and the uniqueness of many of the songs comes out. It wouldn't surprise me if, at the end of the year, this will be a favorite.
  7. Feb 24, 2020
    74
    Sobriety requires courage, and hopefully, that bravery paves the way for the more sonically diverse Best Coast that we get a glimpse of on Always Tomorrow.
  8. Mar 9, 2020
    70
    Ultimately, the band move beyond their lo-fi surfer pop origins and deliver an empowering statement about personal growth that hits differently with each listening.
  9. Feb 19, 2020
    70
    The resulting album, on which she’s joined (as ever) by the brilliant Bobb Bruno, is an irresistibly upbeat tribute to self-care, reflection, and the joy of the everyday.
  10. Feb 24, 2020
    65
    It’s Cosentino’s musicianship and knack for melody that prevents these songs from turning to fluff.
  11. Feb 24, 2020
    60
    Great art doesn’t have to come from a place of great discomfort, but it often helps. Always Tomorrow always chooses cosseting its audience over confronting more painful truths.
  12. Uncut
    Feb 20, 2020
    60
    As always, her lyrics are unambiguous - too on-the-nose for some - but there's an admirable unfussiness to it all. [Apr 2020, p.23]
  13. Mojo
    Feb 19, 2020
    60
    Always Tomorrow sounds like a last laugh - elegantly modulated, slightly hollow. [Apr 2020, p.88]
  14. 60
    ‘Always Tomorrow’ boasts a handful of punchy, promising songs but it’s frustratingly unambitious in scope. When the album treads old ground, the ideas are stale. Hopefully a bigger rejuvenation is on the horizon.
  15. Q Magazine
    Feb 19, 2020
    60
    While the thumping psych-rock of Rollercoaster shines a light on the fears that still plague her, it's lead single For The First Time that makes for the most refreshing and cathartic moment. [Apr 2020, p.105]
  16. Feb 28, 2020
    50
    Unfortunately, the music doesn’t do the lyrics any favors, a real surprise coming from an artists whose earlier LPs established her as one of indie-pop’s sharpest melodists.
  17. Feb 24, 2020
    50
    Maybe broken into a series of singles or a couple of EPs it would have been more palatable, but in this form it's just too samey and underwhelming to make much of an impression
  18. Feb 19, 2020
    30
    Despite it taking four years to come out, pretty much all of the songs on Always Tomorrow are forgettable, and made up of riffs so basic and hooks so anonymous that you’ll probably end up wishing they’d have waited a little longer.
User Score
7.9

Generally favorable reviews- based on 14 Ratings

User score distribution:
  1. Positive: 12 out of 14
  2. Negative: 0 out of 14
  1. Apr 15, 2020
    6
    I have followed Best Coast, album by album, plus EP's since their debut. "Crazy For You" was such a breath of fresh air and one of the mostI have followed Best Coast, album by album, plus EP's since their debut. "Crazy For You" was such a breath of fresh air and one of the most fun records I had heard in a long time. While I have always checked out and often physically bought their records since, the fun has only been there is glimpses on Best Coast records and "fresh" is one of the last words that comes to mind. "California Nights" was an improvement on sophomore effort "The Only Place" but with a sizable gap of 5 years since I was interested to see how Best Coast would emerge in 2020. The answer is exactly the same. It's meat and potatoes powerchord pop with little or no flair. It's pleasant and very listenable but one dimensional. To use a food comparison, its like eating a fast food meal. Enjoyable at the time but your aware what your eating has no nutritional value. Tastes decent and almost addictive but when its gone you feel nothing except regret because you know you've just consumed lots of sugar, salt and fat and not a lot else. I say this as someone who likes both trips to fast food places and Best Coast records. "Always Tomorrow" is fine. Full Review »
  2. Aug 17, 2020
    9
    This album is far superior across the board lyrically to anything Bethany has put out in the past. These songs are polished and ready to beThis album is far superior across the board lyrically to anything Bethany has put out in the past. These songs are polished and ready to be heard on a broad scale. This takes what California Nights did and ups the ante. The whole album is a fun and cool listen. Just really enjoyed it and it will be in the running for my Album of the Year, I'd bet, come December. Put me down for a 9 out of 10. Full Review »
  3. Mar 30, 2020
    8
    ( 80/100 )

    Aunque al principio se notaba un poco cliché, la valor principal de este álbum está en la extensión y cuidado de la
    ( 80/100 )

    Aunque al principio se notaba un poco cliché, la valor principal de este álbum está en la extensión y cuidado de la ambientalización o el tamaño del ambiente musical. A lo que me refiero es que la música de "Always Tomorrow" se siente bien explorada, bien compuesta y hay cierta aura de grandeza que se le agradece a la energía de la voz de Bethany Cosentino y la euforia que se nota en los instrumentos de Bobb Bruno. Junto a una producción de Carlos De La Garza, Best Coast juega con el cliché del Rock y presentan un grupo de canciones que se moldean a la intención y emoción de este duo.
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    Even if in the beginning it can be noticed a little bit cliche, the main value of this album is in the extension and the carefulness in the size of the musical ambient. What I mean is that the music of "Always Tomorrow" feels well explored, well composed and there is a certain aura of bigness thanks to the energy in Bethany Cosentino's voice and the euphoria in the instruments of Bobb Bruno. Along with a production of Carlos De La Garza, Best Coast plays with the cliche of Alternative Rock and presents a group of songs that mold to the intention and emotion of this duo.
    Full Review »