Metascore
83

Universal acclaim - based on 9 Critic Reviews

Critic score distribution:
  1. Positive: 9 out of 9
  2. Mixed: 0 out of 9
  3. Negative: 0 out of 9
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  1. Nov 10, 2017
    85
    Arpo feels like a real album, with a distinct narrative and recurring themes. Most of all, it’s a captivating and original listen, from an artist who sounds like no one else.
  2. The Wire
    Dec 19, 2017
    80
    There are no radical leaps forward from the previous album, but that matters not a jot. The soil in this territory is rich, the flora is fragrant, and the echoes of the past harmonise together like happy memories. [Dec 2017, p.51]
  3. Nov 22, 2017
    80
    This is Svenonius with just an electric guitar, a microphone, an analogue-sounding drum machine and a tape deck, creating the rawest and most stripped-back manifestation of his singular muse to date.
  4. Nov 10, 2017
    80
    If you’re looking for some immersive and emotional electronica, just Call Super.
  5. Nov 10, 2017
    80
    Arpo refines and then traipses further afield than anything else in his discography.
  6. Nov 10, 2017
    80
    Arpo is a rich and rewarding album. Each glitchy sound and fragmented beat has been meticulously pieced together, almost as if to demonstrate how opposites attract. Moreover, Super understands perfectly the post-party environment the album is written for.
  7. Nov 10, 2017
    80
    Frequent appearances of a quavering clarinet, hardly rave culture’s go-to instrument, further enhance the very particular beauty of his vision.
  8. Nov 27, 2017
    74
    Though Arpo draws from Seaton's private life, its heady daydream vibe is open and accessible.
  9. Nov 10, 2017
    70
    Arpo forges lush soundscapes by drawing on ASMR techniques, layering textures over the arpeggiated hooks that drive the record. A saxophone player himself, Call Super subtly peppers hazy woodwind tones throughout, elevating the record's otherwise eclectic collage of electronic soundscapes.

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