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Jun 4, 2013While Coco and Hannibal are doing it a little less softly now, they're still killing 'em.
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Jun 4, 2013If the self-titled debut was the unobtrusive introduction, Avalanche represents the showy breakthrough the duo have been angling for.
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Jun 4, 2013What Avalanche may lack in immediacy, it makes up for with the gloss and professionalism that coats each of its songs like a gossamer gown. The quality of Hannibal’s handiwork and the sheer passion of Coco’s vocals speak for themselves.
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Jun 6, 2013Classic unrequited love song, and Karshøj sells it so well with her sultry authenticity, you’ll swear you’re in the throes of heartbreak, too.
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Jun 4, 2013Avalanche enjoys an embarrassment of melodic riches and the luminous release blows up the fragile soul heard on the duo’s self-titled debut to heroic proportions.
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Jul 30, 2013The sound is full, with fat synths, string instruments, and horns. But the strings don’t sweep and swirl, they sigh and deflate; the horns thicken but do not punch.
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Jun 12, 2013Avalanche’s obsessive squeaky cleanness keeps its audience at a distance. Coco might insist that she’s still looking for trouble, but there’s none to be found on Avalanche.
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Jun 11, 2013The electronic soul band toes the fine line between club cuts and after-hours ballads.
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Jun 4, 2013[Coco O. is] an understated soul-pop diva whose sweetness belies her stone funkiness.
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Apr 24, 2014Avalanche proves a middling followup to that first collection of airy, experimental R&B.
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Q MagazineMay 20, 2014Weighted by retro production that gets bogged down in neo-soul moves reminiscent of Sade, though, inspiration flickers throughout without ever reaching full illumination. [Jun 2014, p.118]
User score distribution:
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Positive: 16 out of 18
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Mixed: 2 out of 18
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Negative: 0 out of 18
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Jun 6, 2013
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Feb 26, 2014
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Jun 17, 2013