- Critic score
- Publication
- By date
-
Sep 10, 2015HITnRUN is an invigorating, eclectic modern pop record that takes a now-familiar (but still no less impressive) formula--equal parts hedonistic arena rock, chugging funk, and art-mutated pop--and tacks on a handful of new sounds and twists that give is a satisfying, visceral edge.
-
Sep 14, 2015Although he may never touch the glory days of his heyday again, there are enough glimpses of his genius gathered here to satisfy.
-
Sep 14, 2015HITNRUN Phase One isn’t one of Prince’s best albums. But neither is it his worst. He hasn’t lost it. He’s just resting it.
-
Sep 11, 2015While some of that experimentation and ornamentation is thrilling, some is unneeded. Phase One works better when excess is lopped off.
-
Sep 30, 2015Underneath its aggressive opening and occasional woozy electronics, it is anchored by two or three songs (the exuberant "Fallinlove2nite," the recycled "This Could B Us," maybe the Graffiti Bridge throwback "Million $ Show") that wind up revealing how the rest of the record feels like little more than nimble calisthenics.
-
Sep 18, 2015If only he'd really relax and let it flow a little more.
-
Sep 14, 2015A largely mediocre first six tracks. Just as the jury threaten to return an “off with his head” verdict on producer Joshua Welton, Prince redeems himself with three absolute belters.
-
Sep 8, 2015True to its goal, there's lots of fun to be had here, even if the music does lack depth and innovation.
-
Sep 8, 2015The successes tend to be love songs.... But those songs arrive late in the album; first come oddities and overreaches.
-
The WireFeb 18, 2016Phase One impresses more on first listen [than Phase Two].... But it wears thin quickly. [Feb 2016, p.54]
-
Sep 10, 2015A casual, slightly-weirder-than-usual release with one very good R&B song (that's reportedly been kicking around in his vault for a while), stranded in the album's penultimate slot.
-
Sep 11, 2015It finds Prince embracing EDM and his band 3rd Eye Girl lays down some sturdy, derivative grooves that ought to signal bathroom breaks and beer runs at shows to come.
-
Sep 8, 2015[Co-producer and engineer Joshua] Welton tinkers too much with too many EDM toys, and often the result is a cacophonous collision of EDM’s lamest trends. When this album does succeed—which it does on its back half—it’s because Prince and Welton have achieved a balance between dance and funk in which each genre brings out the best in the other.
-
MojoOct 27, 2015Mashup of overused modern dancefloor styles and rote bragging, with odd moment of classic purple peculiarity. [Dec 2015, p.94]
-
Q MagazineOct 6, 2015Even when HitNRun improves, it implies creative drought. [Nov 2015, p.102]
-
Sep 9, 2015It’s best three tracks--“FALLINLOVETONITE”, “HARDROCKLOVER”, and “1000 X’S & O’S”--are, in the context of Prince’s amazing catalog, average at best. The rest are mediocre to bad to horrifying.
User score distribution:
-
Positive: 14 out of 40
-
Mixed: 6 out of 40
-
Negative: 20 out of 40
-
Sep 10, 2015
-
Oct 6, 2015
-
Aug 1, 2021