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Entertainment WeeklyOn their stunning and haunting second album, the Long Beach, Calif., quartet have racheted up their faux-mono production values and woozy chops. [26 Sep 2008, p.93]
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FilterLoyalty To Loyalty proves that, through it all, the Cold War Kids are a keeper. [Fall 2008, p.90]
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It’s a better-than-solid album from a band that seems equipped to someday make a classic one.
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Loyalty to Loyalty, the band’s sophomore release, isn’t as immediately impacting as that first round of songs, but CWK didn’t lose their charm (or literary obsessions), either.
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Cold War Kids are perhaps the only band out there ambitious enough to tackle head-on the contradictions and heartaches of America, past and present, and to do so with this passion and intelligence.
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The members of Cold War Kids have deepened their sound rather than expanding it.
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Almost in defiance of poor sales and cult following, CWK and their charming second album embody everything you hoped music might be.
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Cold War Kids attack their songs with unusual intensity, infusing even the most noirish, unsettling songs--fractured narratives about hipster bohemia and suicide--with a feeling of enchantment.
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Loyalty is more low-key than its predecessor and less focused.
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Under The RadarFor those who can accept Willett's voice for what it is--a jagged, yet neccessarily appropriate fixture that suits the music's rough edges--Cold War Kids have made a record that will please the existing fanbase, and quite possibly earn some new pledges of loyalty. [Fall 2008, p.74]
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Throughout the album, haunted-saloon piano and reverb-choked guitar conjure a murky, wobbly misaligned version of old R&B.
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UncutThe skeletal bluesy shuffles are easy to follow, but the likes of 'Avalanch In B' suggest a band lyrically happy to keep the unpleasantness in their woodshed under wraps. [Oct 2008, p.81]
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More often than not, Loyalty to Loyalty takes a disappointing stumble on it.
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Loyalty to Loyalty, an improvement on 2006's filler-heavy debut, is a sincere, if preachy, advertisement for integrity over image.
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The loyalty to the exact sound--minus the real hooks--that got Cold War Kids noticed keeps things mostly stagnant.
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But ultimately, Loyalty to Loyalty leaves a weird aftertaste, and it's not just because the penultimate 'Relief' tries to prop itself up on Willett's falsetto harangues and stuttering slap-bass, before 'Cryptomnesia' ends the record collapsing into a rumpled heap.
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Relying on sturdy-legged piano chords ('I've Seen Enough'), boogie rock ('Mexican Dogs'), and caffeinated backbeats to boost Willett's narratives, Loyalty to Loyalty is rarely subtle.
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Cold War Kids have exploded rather than refined their style here, which too often turns what were formerly strengths into liabilities and turns what were formerly liabilities into, well, even greater liabilities.
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Nathan Willett remains a technically proficient singer, with hints of Jeff Buckley, but much like his band's music, his voice is too drearily clean-cut to deliver a true emotional punch.
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Q MagazineThe Californian four-piece's follow-up is less inspired, however, lacking any memorable tunes or winning hoks to distract from Nathan Willett's grating falsetto, and much of the album is heavy going. [Oct 2008, p.141]
User score distribution:
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Positive: 25 out of 28
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Mixed: 1 out of 28
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Negative: 2 out of 28
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jeffjMay 9, 2009
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MatthewA.Oct 1, 2008
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KevinM.Sep 24, 2008Attention to lyrics and detail. They bring meaning back to music. Like Robbers and Cowards, a perfect 10 in my book.