• Record Label: BMG
  • Release Date: Mar 15, 2019
Metascore
79

Generally favorable reviews - based on 21 Critic Reviews

Critic score distribution:
  1. Positive: 17 out of 21
  2. Negative: 0 out of 21
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  1. Mar 12, 2019
    100
    Everything across Lux Prima feels completely right; familiar yet new, revealing more of two beloved figures without losing what made them great all these years.
  2. Mar 15, 2019
    94
    A gloriously wide-screen album, sweeping and epic. ... Lux Prima is a fresh adventure for both, and one that’s both familiar and strikingly new for the listener as well.
  3. Mar 19, 2019
    90
    What this record does, yet again, is show that Danger Mouse has bulletproof, unassailable taste in music and collaborators. Karen is exactly the right fit for these songs, and she is absolutely the star of the set, thanks in no small part to the incredible production. This isn’t the best record that either of these mercurial artists have made, but it’s undoubtedly the finest collaboration you’ll hear this year. Guaranteed.
  4. Mar 15, 2019
    84
    What we have here is an album crafted by two high-profile artists that manages to live up to the names involved. It’s somewhat unexpected just how well they mesh, though, crafting songs that don’t sound the part of a first-time collaboration.
  5. Mar 15, 2019
    83
    Lux Prima is a beautiful little album: Ambitious, dreamy, and short enough to leave you wanting more.
  6. Mar 21, 2019
    80
    While the sound of Lux Prima feels unexpected based off these artists’ distinct histories, Karen O and Danger Mouse have unlocked a new creative force within each other. They reach their shared destination with little turbulence and quite a gorgeous view to boot. Plus on this trip, all the seats are first class.
  7. Mar 19, 2019
    80
    While Danger Mouse continues his impeccable track record of collaborations with a wide array of noteworthy artists, and Karen O enchants us with her distinctive warble, Lux Prima proves to be a likable record that is enjoyable on first listen despite its few minor flaws. Repeated plays make it a lovable record as the subtle, ultra-cool textures creep into your consciousness and make for dynamic and vibrant tunes that leave swirling, seraphic sensations playing inside your head.
  8. Mar 15, 2019
    80
    When "Nox Lumina" closes the album by bringing it full circle, it reaffirms that Lux Prima is the sophisticated, sonically adventurous album Karen O deserves to make at this point in her career.
  9. 80
    Lux Prima is an accomplished record--proof that two wildly different minds can work seamlessly together.
  10. 80
    Lux Prima is a hypnotic listen.
  11. Q Magazine
    Mar 12, 2019
    80
    An expertly fashioned LP from a duo who know how to add style to substance. [May 2019, p.115]
  12. Mojo
    Mar 12, 2019
    80
    A bold redrawing of creative frontiers, Lux Prima is a gamble that pays off, handsomely. [Apr 2019, p.88]
  13. 80
    Lux feels refreshing in the freedom and desire to explore new territory, resulting in a win for both.
  14. Mar 18, 2019
    73
    Lux Prima works better as a journey than a destination. It never sounds better than when going nowhere fast, its charmingly anachronistic sound at odds with the sharply engineered hustle of the modern pop world. Karen O and Danger Mouse have dreamt up a vividly imagined world, and it’s a pleasure to get lost in it. With a little more freedom, it could have been divine.
  15. Mar 21, 2019
    70
    Karen O and Danger Mouse have a story to tell on Lux Prima; though not a traditional concept album, it does create a luscious portrayal of a small blinding light in the seemingly infinite dark.
  16. Mar 13, 2019
    70
    Lux Prima certainly isn't Karen O's most urgent or explosive work, but it all sounds exceptionally lovely.
  17. Mar 13, 2019
    70
    The innate desire of musical exploration of both artists is clear for all to see on Lux Prima; a complex but ultimately rewarding listen.
  18. Mar 18, 2019
    60
    This album’s default seltzer dynamics are superbly well appointed, but the aim of many of these songs is often occluded by Burton’s knee-jerk tastefulness.
  19. Mar 15, 2019
    60
    While it is endearing to hear Karen O working with a more patient form of songwriting, the raw energy and emotion of her best work isn’t here.
  20. Mar 15, 2019
    60
    Lounge-pop numbers reminiscent of Air or early Goldfrapp aren’t quite as arresting, but the whole album casts a lingering spell.
  21. Uncut
    Mar 12, 2019
    60
    The album is most fun when it plays up to the contours of Karen O's idiosyncratic voice. [Apr 2019, p.32]
User Score
8.0

Generally favorable reviews- based on 43 Ratings

User score distribution:
  1. Positive: 36 out of 43
  2. Negative: 1 out of 43
  1. Mar 31, 2019
    10
    I can’t say I ever expected to see news that Yeah Yeah Yeah’s front-woman, Karen O and genius musician/producer Danger Mouse (aka BrianI can’t say I ever expected to see news that Yeah Yeah Yeah’s front-woman, Karen O and genius musician/producer Danger Mouse (aka Brian Burton) were conspiring on an album together, but when I did I was thrilled beyond belief. What they promised in their press-release for “Lux Prima” was an album crafted around a journey rather than a destination. They delivered a bullseye in the best tradition of journeys.

    From the opening epic title-track, which cruises-in from the depths of space over nine-minutes, and morphs thru three movements to Karen O’s defiant Motown girl-power throw-down, “Woman,” this album is full of welcomed twists & turns.

    My standout track, “Turn The Light,” finds Karen O in gorgeous-voice singing over a disco-infused vibe... Her lyrical hook is infectious: “Starry starry night, this is how I wanna live. Gonna lay me down in love, I got so much more to give.”

    Old surf, Motown, and Western undertones evoke much of Danger Mouse’s earlier work (especially with Daniele Luppi on the “Rome” album,) but there is always something familiar, yet completely original that defines everything that Danger Mouse puts his hands on. “Leopard’s Tongue” is another shining example of that.

    There are scant few moments when we find someone who is not only a gifted musician & songwriter in their own right, but also a brilliant producer with the ability to draw the best out of an artist. Danger Mouse, though is in my upper echelon of those incredible individuals along with Brian Eno. This collaboration of Karen O and Danger Mouse throws down a very high bar for anyone else to surpass in 2019! Splendidly original!
    Full Review »
  2. Mar 15, 2019
    9
    An absolutely brilliant album that makes perfect use of Danger Mouse's diverse sound and retro-modern style. Karen O's voice complements hisAn absolutely brilliant album that makes perfect use of Danger Mouse's diverse sound and retro-modern style. Karen O's voice complements his instrumentals perfectly. Full Review »
  3. Mar 22, 2019
    7
    This is a pretty decent record that I feel relies mostly on catchiness and beautiful vocals. The first track is very lengthy so that may deterThis is a pretty decent record that I feel relies mostly on catchiness and beautiful vocals. The first track is very lengthy so that may deter some people. The main positive about the record is Karens' voice. It's really hard to describe it as it is distant and near at the same time, very soothing, while the lyrics are simple and are as I said relying on catchiness.
    The best metaphor I could give is, her voice is something you would hear at the end of a war movie/game, where the camera pans out and the carnage of the battlefield is shown. Her vocal range is very impressive but I did not care about the high pitched vocal on the track "Woman".
    The music is also very chill and has some disco and 70s-80s aspects in it. All in all, it's better than an average record.
    Full Review »