• Record Label: Geffen
  • Release Date: Jan 12, 2024
Metascore
88

Universal acclaim - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 14 out of 14
  2. Mixed: 0 out of 14
  3. Negative: 0 out of 14
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  1. Feb 7, 2024
    90
    One of this year’s most striking releases so far. Add in a killer style, playful energy, impeccable production, incredible performances, and some very important representation, and you’ve got one of the most striking pop records of the last few years.
  2. Jan 12, 2024
    90
    On Orquídeas, Uchis remains true to herself by restlessly expanding her music's stylistic reach, embracing the past as instructor to the present. It is as aesthetically appealing as it is musically adventurous.
  3. Jan 11, 2024
    90
    It’s an album of breezy confidence and sly ingenuity, easily moving among futuristic electronics, 1990s nostalgia and Latin roots. .... Lavishly layered vocals nestle among glimmering electronic sounds and programmed beats, and on “Orquídeas,” her voice sounds completely untethered by gravity.
  4. Jan 11, 2024
    89
    Orquídeas is a masterful ode to Uchis’ ancestral roots. A project that artfully skywalks across a variety of Latin genres, including dembow, bolero, salsa and reggaeton, the project proves to be her most sonically ambitious to date—and boasts all-star level features to boot.
  5. Jan 12, 2024
    84
    Uchis’ vocal performance across the record represents a leap forward too: 12 years ago, she possessed the more limited—but still soulful—range of a lounge singer; now she stretches her voice to a fluttering whistle register on “¿Cómo Así?” When she dives into Latin American idioms, Uchis is unstoppable.
  6. 80
    Although refreshing, the many influences of the second half are quite a hard contrast to the first ten tracks, whose productions are meditative and intuitively balanced. Although there are constantly new elements appearing, the crisp tracks never get overcrowded, giving the project a luxurious finish.
  7. Jan 16, 2024
    80
    Orquídeas’s variegation means it’s not quite the no-skip concept album that was Red Moon. But in a rapidly decompartmentalising pop landscape, where Spanglish is increasingly a lingua franca, Uchis’s flair and depth cuts across whatever notional cultural barriers might remain.
  8. Jan 12, 2024
    80
    Orquídeas is a display of bravura. Between Kali Uchis’ plurality of sound, empowered directives, and dance-inducing hypnosis – this is an entire album of sweet spots.
  9. Jan 12, 2024
    80
    Whilst it might not be as immediately stunning as the mix of luscious synth pop and alternate universe James Bond themes on that album [Red Moon In Venus], she still shines on this record, code-switching between English and Romance and beat-switching between sultry R&B and sunny Latin party pop.
  10. 80
    Through her boundless ‘Orquídeas’ albums, Uchis blossoms into a fearless pop ambassador at the forefront of breaking down the divide between music in English and Spanish.
  11. Jan 11, 2024
    80
    Across the album, Uchis is bolder and more forthright than on past releases. So often, she’s played the languid cool girl, but she breaks out of her shell again and again this time out. She dives deeper into new sounds, and she flourishes the entire way.
  12. Jan 11, 2024
    80
    Her distinct 2018 style isn’t lost at all. The dreamy synths, the soft vocal harmonies and the unhurried compositions are still there in several tracks on this record. Thanks to that, Orquideas is the perfect tracklist to introduce any newcomers into a more niche latin sound.
  13. Jan 11, 2024
    80
    So it’s dreamy and fuzzy but sharp, witty and danceable with it; varied but coherent, consistently enjoyable. It’s an album on which Kali Uchis sounds not just like an artist who is now doing exactly what she wants, but one who also knows exactly what she’s doing.
  14. Jan 16, 2024
    75
    And though the second half Orquídeas breaks stylistically with the first – sometimes a bit too abrasively to stay fully engaged – it nevertheless makes sense for an artist like Uchis, who is trying to break industry conventions one project at a time.

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