Metascore
81

Universal acclaim - based on 20 Critic Reviews

Critic score distribution:
  1. Positive: 19 out of 20
  2. Negative: 0 out of 20
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  1. Feb 25, 2014
    88
    Somewhere Else [is] her third and best album.
  2. Feb 18, 2014
    88
    The drama chronicled on Somewhere Else isn’t just rowdy, it’s borderline illicit.
  3. Like its predecessor Indestructible Machine, the album belies her age and finds the singer churning out songs that are wise beyond her years.
  4. Feb 18, 2014
    85
    On Somewhere Else, Lydia Loveless has harnessed the barnstorming energy of her Bloodshot debut and transformed it into something much more.
  5. Feb 18, 2014
    83
    Somewhere Else may have the finesse of a professional with many years on the books, but it also has the languor that accompanies an amateur treading on uneven ground.
  6. Jun 3, 2014
    80
    With her almost stream of consciousness talk-sing, some melodies on Somewhere Else are better formed than others. Like Patti Smith her songs can be as strong ultimately as the care invested in her hooks.
  7. Apr 9, 2014
    80
    Despite a couple of weaker links, Somewhere Else is extremely well put-together, and spilling over with appealing melodies, wit, and truth.
  8. Magnet
    Mar 12, 2014
    80
    These songs, as punchy as ever, don't lean quite so heavily on unhinged, whiskey-soaked abandon. [No. 107, p.57]
  9. 80
    This set confirms she’s a rugged, uncompromising young talent with a distinctive voice and take-no-crap attitude primed and ready to take Americana into the next few decades.
  10. Feb 18, 2014
    80
    There’s a sense of urgency on Somewhere Else, a need to keep searching and exploring. And she’s onto something.
  11. Feb 18, 2014
    80
    It's anyone's guess where Loveless will go from here, but she's already made an album that's genuinely dazzling, and Somewhere Else sounds like a real contender for best album of 2014.
  12. Feb 14, 2014
    80
    There are odd nods on Somewhere Else.... But her full-throated attack and guitarist Todd May's twang-snarled guitar, which splits the diff between Tom Petty's Heartbreakers and Johnny Thunders', also recall a less-remembered version of that decade.
  13. Feb 14, 2014
    80
    Sure, sometimes the angst gets too angsty and a couple songs feel a bit like throwaways, but this is a great, memorable and oftentimes moving release from someone who sounds like she has about 20 years and 10 albums more experience than she does.
  14. Feb 14, 2014
    80
    The production on Somewhere Else is crisp and clean (though they could have pushed Loveless' distinctive voice slightly more out front).
  15. Under The Radar
    Feb 21, 2014
    75
    For a country-punk prodigy, Loveless is only getting better with age. [Feb/Mar 2014, p.73]
  16. Feb 18, 2014
    73
    Halfway between French Romantic and Nashville outlaw, Loveless’ songwriting can come across sometimes as overly bleak and therefore sensationalistic, yet Somewhere Else makes such boldness a virtue, as thought decorum blunts creative expression.
  17. Uncut
    Apr 2, 2014
    70
    She's actually more effective when slowing things things down a notch. [May 2014, p.77]
  18. 70
    This is a good album and one that is easy to get into, especially if you have even half an ear for some country-based insurgency!
  19. Mar 12, 2014
    67
    Lyrically, Loveless can still hit a clinker ("Verlaine Shot Rimbaud") or two ("Head"), but the yearning in "Everything's Gone" and pain expressed with "Hurts So Bad" illustrate she's come a long way in expressing universal emotions.
  20. Feb 14, 2014
    60
    The lyrics can get melodramatic (Verlaine Shot Rimbaud) and vulgar (Head), but there are gems here, too.

Awards & Rankings

User Score
8.3

Universal acclaim- based on 10 Ratings

User score distribution:
  1. Positive: 9 out of 10
  2. Negative: 0 out of 10
  1. Feb 26, 2014
    10
    Lydia Loveless has a seasoned voice for a young lady her age. Take, for example, Taylor Swift, Lorde and even Katy Perry - they all haveLydia Loveless has a seasoned voice for a young lady her age. Take, for example, Taylor Swift, Lorde and even Katy Perry - they all have little girl voices and I can't relate to that being 38 years old. This new album is more lyrically astute and the melodies, instrumentation and general feel of the album surpasses her last album, although that is a great album also. Can't help but say I love her cover of "They Don't Know About Love." I'm havin' a few beers while listening to this one. lol Full Review »