Metascore
70

Generally favorable reviews - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 14
  2. Negative: 0 out of 14
  1. This is a record to be drunk from deeply, preferably in solitude, along with a bottle of whatever makes you purr as warmly as Sandoval and her Inventions can--and evidently still do--at their best.
  2. So, after eight long years, fans of Sandoval finally have something to be excited about, for Through the Devil Softly does not disappoint.
  3. Uncut
    80
    Her husky drawl of a voice remains as precious and fragile as a chandelier, and it well suits these insidiously melodic, intimate songs. [Oct 2009, p.110]
  4. I’ll be listening to Through the Devil Softly for years to come.
  5. This is music to lose yourself in during the long cold winter nights.
  6. It sounds like it was worth the wait for Sandoval and O'Ciosoig and it's a welcome return for fans of her music, and also for fans of late-night, melancholy balladry that will break your heart and ease you gently into dreams.
  7. Soft and slipper-shod as it may seem, there's a complex coldness to Sandoval's lyrical persona.
  8. There's no real standout track--no 'Fade Into You' for this decade--but it's a good listen while it lasts, a thing of slow, sad grace.
  9. She purrs every song in slow motion--but given lyrics like "We're like the roses/Stoned in the backyard," that's probably the point.
  10. 60
    To most listeners, though, Through the Devil Softly will simply function as a collection of breathily perfect lullabies.
  11. Under The Radar
    60
    Devil reveals itself slowly--very, very slowly--over repeated listens. [Fall 2009, p.66]
  12. The lack of instruments coupled with Sandoval’s unvarying singing style lead to mind-wandering and reminiscing about her past work, like the killer hook she added to the Jesus and Mary Chain’s Sometimes Always.
  13. Mojo
    60
    Too much of the rest meanders through trickling streams of acoustic guitar and somnambulant vocals without ever detaining you for long. [Nov 2009, p.97]
  14. Q Magazine
    40
    Perplexingly, the arrangements are so sparse that there's not quite enough fully formed songs to carry the album off. [Nov 2009, p.112]

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