The debut full-length release on the Heavenly label from the Welsh artist Huw Gwynfryn Evans was produced by Cate Le Bon.

The fourth full-length release for Welsh guitarist Huw Evans was co-produced with Samur Khouja and Cate Le Bon.

The fifth full-length release for H. Hawkline was produced by Cate Le Bon and features contributions from Stephen Black, Harry Bohay, Euan Hinshelwood, Paul Jones, Davey Newington, John Parish, and Tim Presley.

The debut full-length solo release for the frontwoman of Mount Moriah features contributions from such artists as Phil Cook, Kathleen Hanna, Mary Lattimore, Tift Merritt, Angel Olsen, Amy Ray, and William Tyler.

The second full-length solo release for the Mount Moriah frontwoman was produced with Luke Norton and Missy Thangs.

The third full-length solo release for North Carolina singer-songwriter H.C. McEntire was co-produced with Missy Thangs and Luke Norton.

The debut full-length studio release for the California R&B artist features guest appearances from Chris Brown, Cordae, Lil Baby, DJ Khaled, Thundercat, Bryson Tiller, Ty Dolla $ign, Y.G., and Yung Bleu.

This is the first U.S. release for the popular Finnish goth-rock band (the initials stand for His Infernal Majesty) fronted by Ville Hermani Vallo.

The Finnish hard rock band's sixth album includes one song that is over 10 minutes long.

Finnish goth-rock outfit, HIM returns with its seventh studio album on Sire Records.

The eighth full-length studio release for the Finnish alternative rock band was produced by Hiili Hiilesma.

This is the first album in four years for the London-based indie pop group led by Sean O'Hagan.

The fifth full-length release for the Missouri indie rock band was produced with Jason McEntire and Dan Molad.

The debut full-length release for Australian DJ/producer HAAi features guest appearances from Obi Franky, Jon Hopkins (who also co-produced), poet Kai-Isaiah Jamal, and Hot Chip's Alexis Taylor.

The third album for the Texas indie rock band was again produced by the Black Keys' Dan Auerbach.

The second album for the English band was produced by Noisia.

The debut full-length release from the indie pop quartet based in Brooklyn was produced by Jean-Philip Grobler.

The debut full-length release for the Australian electro-pop trio was primarily recorded in Melbourne with Joel Ma.

The debut release for the British instrumental trio of Gemma Barkerwood, Sophie Barkerwood, and Louise Croft features an appearance from A Little Orchestra.

This is the second full-length release for the British trio of Louise Croft, Gemma and Sophie Bakerwood.

The third full-length release for the British dream-pop/electronica instrumental trio includes manipulated sounds such as pulses from lightning that were recorded by NASA.

The British instrumental dream-pop band was commissioned by Nottingham Contemporary to create a new film score to Buster Keaton's 1926 film The General for BFI's Comedy Genius season.

The fifth full-length release for the British trio was inspired by field recordings made during a visit at an abandoned house in Germany.

Mary Mallon, aka Typhoid Mary, is the subject of this concept album for Aesop Rock's side project with Rob Sonic and DJ Big Wiz.

The first new release in 15 years for the Ethiopian keyboard and accordion player features contributions from Tony Buck and Mike Majkowski.

The latest full-length release for the Ethiopian artist was recorded in Virginia by Blaine Misner.

The debut full-length release for the Los Angles indie pop trio of sisters was produced by Ariel Rechtshaid and James Ford.

The second full-length release for the trio of sisters was co-produced with Ariel Rechtshaid and features contributions from Rostam Batmanglij and Dev Hynes.

The third full-length release for the Los Angeles trio of sisters was produced with Rostam Batmanglij, Ariel Rechtshaid and Buddy Ross.

The Dublin-based quartet debuts with a record filled with echoes of California circa the 1960s and 70s (think Brian Wilson) rather than Ireland.

The debut full-length release for the rapper from Barbados features guest appearances from Aron, Fantom Dundeal, Island Levvy, Mick Jenkins, Jah Koda, Sean Leon, and Ransom.

The third full-length studio release for the Grammy Award-winning hard rock band led by Lzzy Hale was produced by Jay Joyce.

The fourth full-length studio release for the Pennsylvania hard rock band led by Lzzy Hale was produced by Nick Raskulinecz.

The first new release for the Minnesota-based Canadian artist formerly known as Haley Bonar under her new singular name is an all-instrumental affair.

The latest solo release for the Minnesota-based singer-songwriter was produced with Jacob Hanson.

The debut full-length release for the Portland, Oregon singer-songwriter was produced by Zak Kimball.

The first full release in four years for the duo of Jad and David Fair.

The first release in 13 years for the punk band led by Jad Fair was produced by John Dieterich of Deerhoof.

The box set collects songs from the art punk band's 1987 album Music to Strip By, 1988's Charmed Life, and 1998's The Band That Would Be King.

This is the second release since the rock band led by Jad Fair reunited in 2014 after a 13 year hiatus.

The 16th full-length studio release for the indie rock band led by Jad Fair features contributions from Lydia Fischer and Sophie Bernadou.

The latest full-length release for the band led by Jad Fair was recorded in France, Spain and the US.

The latest full-length release from the Jad Fair-led noise rock band Half Japanese was recorded in Baltimore, Maryland; Bloomington, Indiana; Donneville, France; and Tarragona, Spain.

The debut release for the Montreal indie rock band was co-produced by Daniel Lagac and Nygel Asselin.

The second full-length release for the Canadian indie rock quartet was produced by Jim Abbiss.

The third full-length release for the Montreal indie rock band was produced by Joe Chiccarelli.

The second full-length release for the Nandi Rose Plunkett project that includes two of her Pinegrove bandmates was co-produced with David Tolomei.

The first release on the Anti- label for the Nandi Rose project was co-produced with David Tolomei.

The fifth full-length release for the Nandi Rose solo project was produced with Zubin Hensler.

The sixth full-length release from John Ringhofer was recorded on an analog 16-track tape machine.

The third release from the Boston rock band was funded through Kickstarter and features guest appearances by Marissa Nadler and Mike Fiore of Faces On Film.

The second full-length release for the alternative pop artist features guest appearances from Cashmere Cat, Fifth Harmony's Lauren Jauregui and Migos' Quavo.

The third full-length release for the alternative pop artist features guest appearances Dominic Fike, Alanis Morissette and BTS' Suga.

Produced by Trent Reznor and Atticus Ross, the fourth full-length studio release for the alternative pop artist is a concept album about pregnancy and giving birth.

The debut solo release for The Walkmen frontman features guest contributions from Rostam Batmanglij of Vampire Weekend, Amber Coffman of Dirty Projectors, Morgen Henderson of Fleet Foxes, former bandmate Paul Maroon and Richard Swift of The Shins.

This is the debut full-length release from the collaboration between the Walkmen's Hamilton Leithauser and ex-Vampire Weekend's Rostam Batmanglij.

The second full-length solo release for The Walkmen frontman was self-produced and mixed.

The latest full-length release for Edinburgh-born singer/songwriter Hamish Hawk features guest appearances from Samantha Crain and Anna B Savage.

The debut release self-produced and recorded by the Los Angeles-based bedroom/indie pop artist features guest appearances from Satchy and Henry Morris.

The debut full-length release for Los Angeles-based indie artist Hana Vu was recorded and mixed by Day Wave's Jackson Phillips.

The second full-length release from Los Angeles-based indie singer-songwriter Hana Vu was produced with Jackson Phillips.

The second full-length release for the Meg Duffy project was produced with Brad Cook.

The third full-length release for the Meg Duffy project features a guest appearance from Perfume Genius and was produced by Sasami Ashworth and mixed by Chris Coady and Kyle Thomas.

The six-track release from Meg Duffy as Hand Habits was inspired from a month-long songwriting course she taught and was produced with Luke Temple and Philip Weinrobe.

This is the debut full-length release for the electro-rock quartet that was formed by Geoff Halliday and Ryan Sweeney.

This is the debut release for the Axel Willner as Hands.

Producers Prince Paul and Dan "The Automator" Nakamura assembled a varied cast of collaborators, including Miho Hatori (Cibo Matto), Del Tha Funkee Homosapien, DJ Shadow, Sean Lennon, Josh Hayden (Spain), De La Soul, and, of all people, Father Guido Sarducci. The band's name comes from an episode of the Chris Elliott sitcom "Get A Life."

The second disc for Prince Paul and Dan The Automator finds the producer pair joined by Cat Power, RZA, Jack Johnson, Julee Cruise and Pharrell Williams.

Handsome Furs is a side project for Wolf Parade's Dan Boeckner, who is joined by his fiancee Alexei Perry and Wolf Parade drummer Arlen Thompson.

The music project of Wolf Parade's Dan Boeckner and his wife Alexei Perry releases a third album influenced by Eastern European synthesizer sounds and noise pop.

One of the three albums by Hank Williams III released September 6th and the most experimental of the three, Cattle Callin' include sounds of a cattle auctioneer.

Fol Chen continues to embrace mystery and avoid the obvious on Part II: The New December. As on Part I: John Shade, Your Fortune’s Made, the enigmatic band makes a virtue out of indirectness, sending songs through secret passages and tunnels that end in hooks some distance from where they were expected. There’s a strong experimental streak in the brainy way Fol Chen takes what seems like a straightforward idea and twists it into something completely different; like the Dirty Projectors, the group flirts with and subverts mainstream pop ideas, and like labelmates Cryptacize, they’ve got a flair for the deceptively simple. The band goes even further down the rabbit hole than on Part I, beginning The New December with some of its strangest music. “In Ruins” contrasts deep, whispered vocals with lively girlish ones atop busy keyboards playing busy, vaguely Eastern-tinged melodies; “Your Curtain Call” begins with breathy beats and woozy flutes, expanding into bells and a drunken sax solo before pulling back again; and “Men, Houses or Beasts” tiptoes so slowly that it almost sounds like it was recorded at the wrong speed. Fittingly for a band so committed to disguising its identity, some of The New December’s best songs deal with miscommunication and missed connections. On “The Holograms,” a tale of forgotten names and words doubling into optical illusions, bounces along on one of the album’s catchiest melodies, while the excellent “C/U” keeps its lovers apart despite its almost perversely straightforward beat. Likewise, the band buries some of its best songs on the album’s second half: “Adeline (You Always Look so Bored)”’s sharp-tongued chamber pop recalls St. Vincent’s abundant musical and lyrical wit, and “They Came to Me” boasts rubbery beats that are just as danceable as they are strange, and could be heard at a club with a trampoline for a dancefloor. How exactly these songs fit together with “Holes”’ delicate plucking and the title track’s pixelated folk might be locked in Fol Chen’s brains, but even if there are more pieces of their puzzle-pop missing here than there were on John Shade, Your Fortune’s Made, The New December is never boring. ~ Heather Phares

From a family of famous country singer, the younger Hank Williams brings more rock music to his sixth album.

One of three releases out on the same day by the alternative country rock artist, this two-disc set tilts more toward country than rock and roll.

One of the three releases for Hank Williams III on September 6, this album consists of doom metal music.

The first album on Williams' own independent label, Bocephus Records, features guest appearances by Trace Adkins, Merle Haggard and Brad Paisley.

The latest release for the country rock singer-songwriter features guest appearances from Eric Church, Brantley Gilbert, Justin Moore and Brad Paisley.

Hank Williams III's latest country release was self-produced and features guest appearances from Billy Contreras, Andy Gibson, Daniel Mason, David McElfish, Zach Shedd, and Leroy Troy.

The second full-length release from the New York-based singer-songwriter was produced by Thomas Bartlett.

The third full-length release for the Woodstock-based singer-songwriter was produced by Sam Owens.

The debut full-length release for the member of the PC Music collective was produced by A. G. Cook.

The second full-length release from British pop artist Hannah Diamond was produced by David Gamson.

The third full-length release for the Canadian pop singer-songwriter was produced by Graham Walsh.

The latest full-length release for the Canadian singer-songwriter was produced by The National's Aaron Dessner.

The latest full-length release from Canadian singer-songwriter Hannah Georgas was co-produced with her partner Sean Sroka.

The debut full-length release from New York-based pop singer-songwriter Hannah Jadagu was recorded with co-producer Max Robert Baby.

The debut album for the British folk singer was produced by Mike Lindsay of Tunng.

The third full-length solo release for the Northern Ireland artist features a 29-piece colliery brass band.

The Northern Irish composer and producer reinterprets Delia Derbyshire and the Radiophonic Workshop's 1972 Electrosonic for her latest full-length release.

Composer Hannah Peel's latest full-length took three years to create and features Charles Hazlewood's Paraorchestra.

The latest album for the Norwegian singer-songwriter.

The fourth album for the Norwegian experimentalist features Erik Vister as a guest performer.

The debut full-length album for the San Francisco-born artist features Her Space Holiday as a guest.

The second release for the California singer-songwriter was produced by Dan Auerbach.

The third full-length release for the San Francisco-born artist was produced by Dan Auerbach.

The fourth full-length release for the San Francisco artist features 19 tracks that were originally released as part of five separate EPs.

The fifth full-length release for the Los Angeles-based artist was produced by Leon Michels.

British rock singer-songwriter Lloyd Cole was contacted by krautrock musician Hans-Joachim Roedelius, who had remixed Cole's 2001 ambient solo album Plastic Wood on his own. Although, never released, they stayed in contact and now years later, they have teamed up to release a new ambient electronica album.