Metascore
84

Universal acclaim - based on 12 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 12
  2. Mixed: 0 out of 12
  3. Negative: 0 out of 12
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  1. The Wire
    Jul 1, 2019
    90
    It joins Titanic and Big Thief’s UFOF (members of Big Thief are present) as one of 2019’s leftfield pop gems, a record created with no detectable consciousness of a wider scene but with a bedroom-wide sense of possibility. [Jul 2019, p.52]
  2. Nov 13, 2019
    80
    For the most part, Birgy’s excitability lends the album an infectious charm. Ultimately, Mega Bog deserves to be appreciated alongside similarly talented proponents of the absurd, such as Aldous Harding and Cate le Bon. Dolphine is a strange and affecting listen; the sound of a free-wheeling afternoon in the sun curdling into early-evening shadows.
  3. Mojo
    Jul 23, 2019
    80
    Even though her dreamscapes are surreal, there are moments that jolt. [Sep 2019, p.90]
  4. Jul 16, 2019
    80
    Dolphine’s songs are mystical, yes--but by no means are they not also tough, topical and profound.
  5. Jul 11, 2019
    80
    Birgy harnesses her voice, a breathy, elastic instrument that she flexes in myriad ways, in service of songs in which no two measures are alike. Like Joni Mitchell, Caetano Veloso or Tim Buckley, she phrases her lines with the ear of an actor, conveying emotional info and drama with each oblong couplet.
  6. Jul 3, 2019
    80
    In spite of its stylistic breadth, Dolphine is a relatively effortless listen. It isn’t jarring or grating. It is unpredictable, challenging, interesting and honest, and ultimately a very satisfying addition to Mega Bog’s discography.
  7. Q Magazine
    Jul 2, 2019
    80
    Birgy is a rare talent who, a decade into her career, might just be due her moment. [Aug 2019, p.112]
  8. Uncut
    Jul 1, 2019
    80
    It's part folk-rock fantasy, part avant-pop mind trip, and all gorgeous. [Aug 2019, p.32]
  9. Jul 1, 2019
    80
    Birgy's command over both her arrangements and Dolphine's emotional flow meet with some of her best songs, making the album her strongest statement in a history of exceptional work.
  10. Jul 3, 2019
    79
    Even at its most inexplicable, there’s not a moment on Dolphine that feels careless. As her imagination roams, Birgy understands that sometimes irrationality is necessary to make sense of reality.
  11. Jul 1, 2019
    76
    First and foremost, the sound quality of these 11 tracks are a major improvement, with Birgy’s vocals mixed above ground, not buried. The performances sound sharper, too: Guitar strings are crisp, keys dance with verve and horns occasionally streak across the sky. Even the experimental touches—a weird echo here, an abrasive noise there—sound like you can reach out and touch them.
  12. Aug 16, 2019
    70
    She follows her curiosity with abandon, deconstructing pop modalities with space and patience—from the strings-drenched chamber jazz (For the Old World) and the warped avant-garde of the title track to campfire folk (Spirit in the Eye of the Fire King,") her wildly eclectic, though sometimes distancing, choices sound familiar, yet completely their own.

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