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MagnetFeb 21, 2014That the feel throughout is cruel New England winter suggests July is one hell of a break-up record. [No. 106, p.57]
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Jan 31, 2014Following Marissa Nadler from one album to the next is like scraping away at the forearm with a scratch awl, each outing going progressively deeper, and we’re finally at blood and bone.
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Feb 14, 2014Marissa Nadler’s limnetic new album, July, is both eerie and soothing, a lullaby written to induce nightmares.
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Feb 7, 2014The forward movement of July can be entrancing and propulsive.
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Mar 31, 2014Melodically bewitching throughout, Nadler’s vocals are as nuanced and strong as Dunn’s production.
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Mar 18, 2014This is a break-up album, a cohesive work embodying a singular mood, and Nadler, like any great artist, sets the scene with such careful, immersive depth that it can be difficult to the seams in her work until you explore every inch.
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Mar 10, 2014Yes, fine songs. But in part, though, a little of the success of July should be attributed to producer Randall Dunn.
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Feb 21, 2014Her writing, which here often expresses personal sorrow and fear about separated or lost love (“1923,” “Nothing in My Heart”), is alive to the senses and nature but doesn’t get lost in abstractions about feelings.
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Feb 20, 2014It’s very rare that an artist present a statement so definitive as July, but given who it’s coming from, this album’s transcendence is far from surprising.
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Feb 19, 2014On this album, she both reminds the listener of her strengths as a songwriter and subtly redefines the ground on which her music rests.
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Feb 18, 2014Those who need a soundtrack for a rainy night alone can take comfort in the pure reflective intimacy of this alluring and frequently enchanting album.
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MojoFeb 11, 2014A melancholic late-night album, then, but one that really sounds beautiful. [Mar 2014, p.91]
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Feb 10, 2014July is a career high.
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Feb 7, 2014She's near the peak of their powers, if not actually at the summit.
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Feb 5, 2014July is a grown up album--but it’s not a cleaned up one: Marissa Nadler may flirt with the sun now, but still articulates the dark like no one else.
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Feb 5, 2014July is infectious. It translates well to many ears.
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Feb 5, 2014It’s not a pretty world to live in all the time, but for a while the twilight tones are the perfect place to rest a broken or bruised heart, or just take some comfort from Marissa Nadler’s exquisite craft.
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UncutFeb 3, 2014Welcome signs of movement after a lengthy stasis. [Mar 2014, p.80]
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Feb 3, 2014Because of the material's quality and the inspired collaboration between songwriter, performers, and producer, July unfolds as a near-perfect song cycle.
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The WireJan 31, 2014It not so much that her talent has blossomed, more that it has thawed a little, releasing music that edges tantalizingly close to greatness. [Feb 2014, p.50]
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Jan 31, 2014July’s strongest points come when Nadler has the most room to stretch her vocal muscles.
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Jan 31, 2014Ethereal strings, guitar and softly humming bass arise in delicate arrangements around them.
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Feb 7, 2014July might be Nadler’s most cohesive and focused record yet.
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Feb 12, 2014Most of July sticks to the aforementioned formula without falling into sounding formulaic--mainly due to Nadler's open performing style. [Feb/Mar 2014, p.74]
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Feb 4, 2014In the end, it’s the vague, shapeless, and undefined nature of the fancies her protagonists chase that partly undermines the album’s substance, since without any clear delimitation of their supposedly particular aspirations it’s a little hard to sympathize with her characters and see in them anything more than cowardly, flighty children who ought to grow up.
Awards & Rankings
User score distribution:
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Positive: 25 out of 27
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Mixed: 2 out of 27
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Negative: 0 out of 27
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Feb 4, 2014
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Mar 15, 2014
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Feb 6, 2014