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More important than the album’s conceit and whatever toehold it might offer, though, is that it sports less flab than their critical breakthrough.
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Now We Can See feels both like a nod to America’s past grievances and its potentially bright future.
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Now We Can See is not a sequel to The Body, The Blood, The Machine, but it is the perfect record to follow the fire and brimstone and slouching-towards-apocalypse tension of its predecessor.
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While there's nothing here quite as thrilling as 'A Pillar of Salt,' the standout from their last album, it's impossible to deny the adrenaline rush of 'I Called Out Your Name' or the title track.
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The result is an exuberant, almost joyful record brimming with sly cynicism and a newfound fondness for whoa-oh refrains and handclaps.
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Now We Can See might not be fist-clenching Thermals fans’ first choice, but it shows there’s way, way more to the band than fist pumping yellers. They’re built for the long haul.
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Rest assured, The Thermals is back and as tight as ever.
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On their fourth record, the tempos are slower, the guitars thick and meaty, the rants kinda melodic, the thoughts impressionistic.
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Now We Can See is very much a record about vision, death, disease, perspective, and, er, turning into a fish (?) but its great expressive anchor is the elated desperation that gives punk both its wickedness and its promise.
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Now We Can See is bursting with clear-headed explorations of the ways that fear and neuroses hold us back from truly living, winkingly clinical examinations of the rote machinations that consume our lives, and tales of the savagery at the basis of modern existence.
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After ranting against Christian extremism on their last outing, they're back to mindless fun, and with new drummer Westin Glass, they've resurrected the savage, speed-strummed fervor that once made Kill Rock Stars matter.
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Musically, the Thermals deliver a cleaner, more refined version of the raging anthems found on Body, the band's worship of '90s indie rock ringing through louder and clearer than ever before.
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As with any such wildly anticipated album, the reverse motion could be a case of perspective, of personal expectations being insurmountably high, because Now We Can See is by no means a bad album. It just seems a little pedestrian for such a talented and unique band.
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Indeed, as their debut for Kills Rocks Stars, Now We Can See is an album fit to carry the torch in 2009 for one of the underground’s most fearlessly exciting labels.
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This much more polished follow-up goes down smoother but still packs plenty of fire.
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Alternative Press'I Call Out Your name won't exactly smash the state, but it's a perfect little pop song. So are opening track, 'When I Died' and 'Now We Can See', where the band's return to gleefully subversive social commentary can't undermine their most infectious pop hook. [May 2009, p.110]
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With perky melodies and singsong choruses, angst has rarely sounded so precious.
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An album that goes so far in proving that simplicity not only has its place, it’s also often the path to unmitigated greatness.
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Under The RadarOverall, Now We Can See is a bit uneven. Still, it's an interesting step in The Thermals, um, evolution. [Spring 2009, p.74]
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UncutNow We Can See feels a sunnier listen, bracing indie-rock with few frills but a joyfully juvenile energy and choruses to spare. [Jun 2009, p.103]
User score distribution:
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Positive: 10 out of 11
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Mixed: 0 out of 11
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Negative: 1 out of 11
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JonJun 8, 2009
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AndyK.Apr 15, 2009
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MarcApr 10, 2009The Thermals are my favorite band, and this is their best, and most fully realized album.