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May 31, 2011There's an amazing balance on Feel It Break. You should have everything you need, if your needs are met by a beautiful blend of virulent lyrics, pumping beats, with addictive dark melodies.
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May 20, 2011Stelmanis brings a more musical sensibility to the formula, even if it's still miles away from mainstream pop.
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May 19, 2011In the end, then, it's as if Austra are old hands; Feel It Break could be them overcoming difficult second album syndrome with aplomb. Goodness only knows where they can go from here; such peaks represented the end of the road for The Organ.
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May 19, 2011As a debut and a fleshing out of Stelmanis' previous eponymous work, Feel It Break is a solid place to build from and a reason to expect good things from Austra in the future.
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May 17, 2011On this consistently hypnotic debut, Austra carve out a place of their own among their contemporaries.
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May 17, 2011With the cool-o-meter currently set at all things synthy and coldwave-y, Austra look set for big things.
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May 16, 2011What ultimately makes Feel it Break such a pleasure to explore is their inclination to consciously move away from making this a record that only works as a showcase for a distinctive singer.
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May 16, 2011Stelmanis, bassist Dorian Wolf and drummer Maya Postepski have created something that plays as a carefully balanced, organic whole, like an inadvertent concept album. That's more a testament to the skill with which it's been put together than because it lacks standout moments; in fact, half the songs here could be released as singles, as Austra are as melodic as they are melodramatic.
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May 16, 2011it might be the best introspective rave album of the year, which is certainly saying something.
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May 16, 2011Nevertheless, one wouldn't call Feel It Break straightforward: Stelmanis is mannered enough to keep listeners on their toes, without tipping over into being irritating, adding a dash of spice to a record capable of intriguing both art and pop crowds.
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UncutMay 13, 2011Somewhat Gothic, but for all its dark corners, this debut gleams with a pop lustre. [Jun 2011, p.77]
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May 19, 2011It's unlikely that the album will be a big hit, but the best songs will grow to have a life outside of Feel It Break, on dancefloors and party playlists, which I'm sure is something Stelmanis would approve of.
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May 17, 2011While it would have been easy for Feel It Break to fall into new wave hero worship, it succeeds thanks to the singularity of Stelmanis' vision. Feel It Break announces her as a force to be reckoned with.
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May 17, 2011Austra is best when all three influences expertly converge or when none of them bother showing at all.
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May 19, 2011Upon first listen, Austra's debut album Feel It Break comes off like a cross between The Knife and a gothier version of Florence and The Machine.
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May 16, 2011On Feel It Break, they've got that creeping cinematic synth-psych style down cold. Moving forward, I'm curious to hear what else they can do.
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May 16, 2011As the album thumps on, though, listeners who prefer dynamics over beat matching will lose patience.
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May 16, 2011The odd misfire aside, Feel It Break is self-assured and utterly consuming. At this rate, she'll be leading the pack soon.
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May 16, 2011her band's seedy synth pop more often recalls Kate Bush's dramatic art songs and the Knife's ghostly techno-pop (and more specifically, the soured vowels of frontwoman Karin Andersson).
User score distribution:
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Positive: 24 out of 26
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Mixed: 2 out of 26
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Negative: 0 out of 26
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Oct 25, 2011
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Oct 23, 2011
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Jun 30, 2011Feel It Break is as tasty as Austra is promising.