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Even when they’re forging new ground (which is often) or mixing it up with any of the aforementioned conversation points, they still manage to sound exactly like themselves.
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Ga Ga Ga Ga Ga is one of those ''taking stock'' records that collates and refines everything that came before. But what an inventory of sounds they've built.
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Concise and lively, Ga Ga Ga Ga Ga is a remarkable blend of focus and creativity.
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Fresh and familiar is a consistent hallmark of the Austin band, and Ga Ga Ga Ga Ga proves to be no exception.
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Ga Ga Ga Ga Ga is Spoon’s finest release since 2001’s "Girls Can Tell" and fills me with a happiness rarely delivered in a genre filled with groups that never improve upon their debuts.
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I think Ga Ga Ga Ga Ga is the album of this year and maybe of the next.
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What’s really on display here is a well honed, experienced band flexing their muscles and creating tightly controlled, good old fashioned rock ‘n’ roll music (of a rather cerebral variety) on their own terms, free from the weighty plague of fashion.
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Ga Ga Ga Ga Ga is painfully short; a lean, black-tie rock album, and one of the year's best in a year full of great records.
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Thirty-six minutes of a detailed, agonizing shot in the arm, a veritable buffet of musical stylings, each song bettering the one before, from a band that just as easily could've released a new version of "Gimme Fiction."
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Through whatever process they use, the band has also managed to create yet another wonderfully singular indie rock record, unafraid of unfettered passion or self-sabotage, and which affirms a shrouded, hybrid style as unquestionably theirs.
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1997's "I Could See the Dude" was abrupt, intriguing, emotive, and obtuse - these have always been within Spoon’s grasp, but rarely have they felt as unified as they do now, a baby’s first word burped up five times.
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Ga Ga Ga Ga Ga is more scattershot, as though Daniel weren't sure whether he wanted to make his big pop push, keep pursuing rhythmic deconstruction to its logical end, or just give up entirely and make "A Series Of Sneaks" again.
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A trifle brighter, quicker and fuller than "Gimme Fiction."
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Each and every hand clap and piano chord on their foot-stomping, flawless new album, now streaming on their label's Website, is obsessively placed.
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"Ga Ga" stand out as a fun, if somewhat peculiar, addition to the Spoon catalog.
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They've found the blueprint to the instantly memorable rock song - and Ga Ga Ga Ga Ga contains several - and continued to follow the instructions.
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There are moments of sheer brilliance on Ga... and due to the band keeping things short and sweet (the album clocks in at about 36 minutes) those moments are rarely far apart.
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The result is an indie-rock album that sounds mysterious without being diffident or difficult, without piling on the noise or retreating into whimsy.
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Ga Ga Ga Ga Ga, the group's sixth album, boasts an instrument roll call that might look swollen - trumpet, Chamberlin, cello, koto, flamenco guitar - but Spoon wear it well.
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From the terrific pulsing opener, "Don't Make Me a Target," to the curt horn and acoustic-guitar stomp of "The Underdog," these wonderfully produced and arranged songs brim with optimism and are pounded out purposefully.
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There's plenty for everyone to love here, actually, and despite the silly title, Spoon's latest is worth going ga-ga over.
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Ga Ga Ga Ga Ga is the mark of men confident enough to give their album one of the world's goofiest titles.
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Ga Ga Ga Ga Ga might be Spoon's commercial breakthrough, doing for them what "Good News" did for Modest Mouse, but for certain it's one of the Austin, Texas, trio's finest records.
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Spoon has again produced a collage of songs that may be proverbial, but are not paint-by-numbers.
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SpinThe tug-of-war between bristly unavailability and candid confession mirrors a musical duet between post-punk snarls and genial pop charms. There's no resolution, but the struggle is endlessly compelling.
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The good news is that Ga Ga Ga Ga Ga is Spoon's best record in a while - if you liked "Gimme Fiction," you'll probably like this too.
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Q MagazineThere is no waste here. [Sep 2007, p.96]
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Under The RadarWhile the band's attempt to branch out and modify their approach is admirable, some of Ga's nonsense causes the record to fall just short of being the accomplishment of which the band has long been capable. [Summer 2007, p.84]
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It's not the best album of Spoon's career, but it's far from a misstep.
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The album has an energy both attractive and intimidating.
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Ga Ga Ga Ga Ga sees Britt Daniels channelling his persecution complex into more piano-driven 60s pop songs, screaming "Don't make me a target!" at the heavens as his girlfriend walks out. His band prove surprisingly versatile.
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While any given song on the album contains a memorable melodic passage or a compelling idea, some of them are more mixed in their results.
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BlenderDespite Ga Ga Ga Ga Ga's adventurousness, it's highest points end up being the most conventional. [August 2007, p.112]
Awards & Rankings
User score distribution:
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Positive: 162 out of 180
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Mixed: 13 out of 180
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Negative: 5 out of 180
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Aug 15, 2011
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Jul 31, 2016
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Dec 28, 2015