Buy Now
- Critic score
- Publication
- By date
-
Feb 15, 2019"Tell Me It's Over" sways with echoes of a '50s slow dance, "Crush" is so light it floats into the stratosphere, and "Bigger Wow" swells with strings reminiscent of vintage Vanessa Carlton. Such moments provide a needed contrast to the motivational ones while also connecting to Lavigne's bubblegum roots, a move that makes the overall maturation of the album feel earned.
-
Feb 15, 2019Overall, Head Above Water is a collection of eclectic tracks and done well this could make for an element of surprise that keeps your ears perked in anticipation. Here, however, it makes for sonic inconsistencies that leaves you dissatisfied, wanting the bigger and better things that Avril is definitely capable of.
-
Feb 14, 2019Lavigne might not have found a musical identity that truly becomes her, but Head Above Water is an effective, and occasionally affecting, album.
-
Feb 14, 2019Across the record's 12 tracks, Lavigne tries on a variety of styles, inhabiting each with ease, but rarely manages to rise above and make the sound her own.
-
Feb 14, 2019Lavigne has never been pop’s most sophisticated lyricist, but her plain-speaking style makes for compelling listening here. ... The album’s second half is generally happier and blander.
-
Feb 19, 2019Head Above Water marks a new chapter in the singer’s lengthy body of work; it’s a shame that Lavigne thinks her high notes are all she has to give.
-
Feb 15, 2019The Lavigne heard at the beginning of the record is almost an entirely different person by the end; the hard part is figuring out which part you like more.
-
Feb 16, 2019These slightly above average hooks/melodies deserve better. I deserve better. So tell me it’s over.
-
Feb 27, 2019She’s become her own worst nightmare – boring.
-
Feb 21, 2019The best tracks here are those which delve into the power ballads that we know Lavigne can produce so effectively. But other than the album's self-titled lead single and It Was In Me, with soaring orchestrals and subtle keys paving the way for her lung-bursting croons, it feels much like a lost Lavigne seeking a sound that’ll just keep her afloat.
-
Feb 20, 2019On every track, the mad-libs are paired with stylistically diverse arrangements--and invariably plodding tempos. The album’s lone sugar spike is “Dumb Blonde,” a rehashed “Girlfriend” that features a phoned-in Nicki Minaj guest verse midway through and, for some reason, a pre-chorus melody yanked from Lipps, Inc.’s “Funky Town.” In spite of everything, Head Above Water offers one brief moment where Lavigne’s emotional alchemy assumes a bolder musical form that’s properly befitting of her powerhouse vocals and enduring authenticity: the opening stunner of a title track.
-
Feb 14, 2019The problem with the album’s dabblings in chart pop à la Taylor Swift (Souvenir, Goddess, Bigger Wow) and post-Amy Winehouse retro-soul (Tell Me It’s Over) isn’t that the songs are poor, or that Lavigne can’t manage the stylistic shifts. It’s more that she doesn’t impose herself on them--they could be by anyone.
Awards & Rankings
User score distribution:
-
Positive: 381 out of 466
-
Mixed: 34 out of 466
-
Negative: 51 out of 466
-
Feb 15, 2019This album is so good, Devil and Birdie are perfect, just as the rest of the album.
-
Feb 15, 2019
-
Feb 15, 2019Wonderful album, songs with great melodies. Very good compositions. Avril's voice is amazing.