The 10th full-length studio release from British rock band Elbow was recorded in Gloucestershire and London.

The fifth full-length release for the progressive rock band is its first with new drummer, Georg Edert.

The Fiery Furnaces member makes her solo debut of emotionally-moving experimental pop.

The second solo release for the indie pop singer, who is one half of The Fiery Furnaces with her brother Matthew, was co-written with songwriter Wesley Stace (a.k.a. John Wesley Harding) and produced by Eric Broucek.

The third full-length solo release for the singer-songwriter was produced with Clemens Knieper and recorded live to tape in upstate New York.

The fourth full-length solo release for the Fiery Furnace member was recorded with producer Clemens Knieper.

The all-female indie-rock band from Brighton, England (who in the past have crossed Stereolab's love for vintage electronics with a more raucous sound) worked with producer Steve Albini on this second full-length, which incorporates vocals into the mix for the first time.

The Brighton, England band re-teams with producer Steve Albini, but downplays the vocals of prior outing 'The Power Out' in favor of a mainly instrumental approach similar to that of their debut.

This is the fourth studio album for the all-female four-piece from Brighton, England.

This is the third full-length studio release for the Norwegian psychedelic rock quartet.

The debut full-length album for the Los Angeles-based indie duo of Asa Taccone (co-writer/producer of "Dick in a Box") and Matthew Compton was produced by Danger Mouse.

Jeff Lynne re-recorded some of the classic Electric Light Orchestra songs with new technology.

This is the debut album for the Florida-based electronic-pop duo of Ben Cooper and Alex Kane.

Featuring guitarists named Rock and Roll Indian and Surge Joebot, the latest indie-rock sensation to come out of Detroit combines punk, new-wave and disco on this debut full-length. Included here is a new version of their hit single "Danger! High Voltage" with the White Stripes' Jack White on backing vocals.

The Detroit band returns with a second album.

The Detroit party-rockers return with a third album.

The fifth album for the Detroit rock band features a reference to its 2003 hit 'Gay Bar.'

This is the sixth album for the Detroit indie band.

The seventh studio album for the rock group was produced by Zach Shipps and features a cover of "The Rubberband Man" by The Spinners.

This is the debut album for psychedlic British indie-rockers Electric Soft Parade (actually two teenage brothers, Tom and Alex White), drawing comparisons to everyone from Grandaddy and the Charlatans to Teenage Fanclub and Buffalo Springfield.

This is the third album for the English band led by brothers Alex and Tom White, who are also members of the band Brakes.

The eighth studio release for the British doom metal band was produced by lead singer Jus Oborn.

The ninth full-length studio release for the British doom metal band was produced by lead singer Jus Oborn & guitarist Liz Buckingham.

The debut release for the prog-rock side project of The Flaming Lips' Steven Drozd and Wayne Coyne with backing by Nashville psychedelic rock band Linear Downfall was produced by David Fridmann & Scott Booker.

The debut full-length release for the Canadian synth-pop duo features "A Real Hero," the collaborative song with Collage that appeared in the 2011 film "Drive."

The third release from the project that now features New Order's Bernard Sumner and former Smiths guitarist Johnny Marr.

Another of the new new wave of New York bands, Elefant is fronted by Diego Garcia, who despite being born in Detroit and raised in Argentina, sounds awfully British on this short, ten-track debut.

The 1980s-alt-rock-influenced, Diego Garcia-led band returns with a second album.

The debut full-length release for the collaboration between from Blurt's Ted Milton and Wire's Edvard Graham Lewis was arranged and mixed by Sam Britton.

The seventh full-length album from the Los Angeles singer/songwriter.

Produced by Joe Chiccarelli, the latest album from the Los Angeles artist was written during a breakup and recorded while she was pregnant with twins.

The ninth release for the Los Angeles singer-songwriter was produced by Neil Brockbank.

This is the debut full-length release for the British duo of Amelia Rivas and Christian Pinchbeck.

This is the debut solo project for Oakland electronic producer David Reep.

The second release for the Canadian psych rock band Elephant Stone led by Rishi Dhir.

The fourth full-length release for the Canadian indie rock trio led by Rishi Dhir was produced with Marcus Paquin.

This is the second volume of the Norwegian jazz-rock trio's show recorded live over the two nights at Oslo's Kampen Bistro with guitarist Reine Fiske.

This is the veteran post-punk band's first release in six years.

Recorded in just a few days, Chicago's long-standing indie rock band returns with their tenth album of rootsy '90s rock.

The 12th full-length release for the Chicago alternative rock band that includes Janet Bean, Mark Greenberg, Doug McCombs, and Rick Rizzo features the addition of guitarist Jim Elkington.

This is the fifth LP for the Athens, GA-based indie-pop band (part of the Elephant 6 collective) fronted by Andrew Rieger and Laura Carter.

On this sixth album, the Athens, GA band's lineup has been expanded to include guitarist Eric Harris (Olivia Tremor Control) and bassist Craig McQuiston (The Glands). Vic Chesnutt guests on the title track.

This is the eighth album for the Elephant 6 affiliated band from Athens, Georgia.

This is the 10th album for the Athens, Georgia, band.

The self-titled album for the Athens, Georgia-based band was dedicated to Vic Chesnutt, who died on Christmas day in 2009.

The latest release for the Athens, Georgia psych-rock group led by Andrew Rieger and Laura Carter includes songs recorded as they were written.

The 14th full-length release for Athens, Georgia-based band Elf Power was recorded partially at home and at producer/engineer Jesse Mangum's studio.

Ever since the dawn of the electric guitar, white boys have sung the blues, some with considerably more success than others. Eli “Paperboy” Reed is part of that long tradition, but he stands apart from the pack as much as he belongs to it, due in large part to his age. Raised on CD reissues of classic blues and soul -- he was not even 10 when the first Complete Stax/Volt Singles box came out -- Reed has absorbed the sound and sensibility of classic ‘60s soul but sings without any white-boy blues affectations, totally comfortable in his own skin because nobody else his age, of any race, was attempting to make this kind of music. This can cause a kind of a disconnect -- Reed sounds so white when he sings, it’s disarming -- but he pours on the passion and has fully absorbed the tight turns of Stax and loves the sound as much as the structure, so much so that Come and Get It -- his third LP and first for a major label -- feels a bit like an unearthed relic, built on songs and sounds that could pass for unheard gems if it wasn’t for Reed’s unapologetically white voice, free of affectations and ticks. Some of that may be due to producer Mike Elizondo’s work -- he manages to make this sound like a throwback without being stiff, and without having a hint of Mark Ronson’s hipster retroism for Amy Winehouse -- but he’s just articulating Reed’s gifts, letting the songs stand front and center. And that’s what’s remarkable about Come and Get It: this is not a modern-day blues album, it’s a classic soul album, with almost all the tracks clocking in at 3:30 or less, leaving very little room for showboating solos. All concentration is on the tunes themselves, with the band kicking them toward kineticism, Reed channeling all his energy into making the songs sing, and they wind up sticking, sounding a bit like forgotten classics upon first listen, then winding up as familiar favorites upon the second. If there is any fault here, it’s that Reed’s voice remains perennially boyish, sometimes preventing this from achieving a level of gravity, but there’s no attempt to hide this: it’s an honest reflection of who Reed is, a young kid from Boston in love with the Southern sounds of the ‘60s and intent on carrying them on, even if he invites ridicule or scorn. He believes it, man, and based on Come and Get It, it’s hard not to believe it too. ~ Stephen Thomas Erlewine

The fifth full-length release for the R&B/soul singer was recorded over four days and features influences of more gospel and blues than his previous album.

The ninth full-length solo release for the experimental percussionist was inspired by a recent move to Manhattan's East Village.

The latest full-length solo release from Buena Vista Social Club's Eliades Ochoa features guest appearances by Rubén Blades, Joan As Police Woman and Charlie Musselwhite.

The third folk album released by the daughter of Martin Carthy and Norma Waterson focuses on the last 10 years of her life.

The debut release for the British folk father-daughter duo of Martin & Eliza Carthy was produced by Oliver Knight.

The debut collaboration between Eliza Carthy and Tim Eriksen features both American and British traditional folk songs.

Produced by Jim Sutherland, the debut release for the British folk artist and her 12-piece band The Wayward Band features guest appearances from Damien Dempsey, MC Dizraeli, and Teddy Thompson.

The debut full-length album for the granddaughter of theatre school founder Sylvia Young and the daughter of Tony award winner Francis Ruffelle was released in the UK last year.

The latest album for the singer is produced by her son Cisco Ryder.

The latest release for the Austin-based singer-songwriter was produced by her son, Cisco Ryder.

The debut full-length release for Scottish-Sudanese singer-songwriter was produced by Chris Bond.

The Brooklyn rock trio worked on its album for only one month with producer Tony Berg.

Elizabeth Ziman worked with Dan Molad and Pete Lalish on her third full-length release after learning to play guitar.

The alt-country singer-songwriter returns after six years where she faced the death of her parents and a divorce from Tim Carroll with an album produced by guitarist Dexter Green.

The seventh full-length release for the singer-songwriter was produced by Butch Walker

The sixth full-length release for the duo of Drew Gardner and Jesse Sheppard was recorded with Turner Williams while snowed in after a canceled gig.

The debut full-length release for the British R&B artist features production from DJ Mustard and guest appearances from Chris Brown, H.E.R., and John Legend.

The second full-length release for British R&B artist Ella Mai features guest appearances from Latto, Lucky Daye and Roddy Ricch.

The second full-length release for the singer-songwriter features a guest appearance from Cameron Neal and contributions from from Ben Gibbard, Greg Kurstin, and Rebecca & Meghan Lovell.

The Berlin-based techno producer returns with her third artist album.

The music on the latest release from the German producer was originally created with Thomas Muller for a dance performance in 2011.

The second full-length release for the Stockholm-based avant-garde composer features two 15+ minutes tracks.

The first full-length album for the British singer-songwriter debuted as number one on the UK album charts. The US version includes three songs not on the UK release.

The second release for the British pop singer was produced by Jim Eliot.

The third full-length studio release for the British pop singer features production from Greg Kurstin, Max Martin, Ilya Salmanzadeh, and Ryan Tedder.

The fourth full-length studio release for the British artist features guest appearances from blackbear, Diplo, Juice WRLD, Lauv, serpentwithfeet, and Swae Lee.

The fifth full-length studio release from British pop artist Ellie Goulding features contributions from Big Sean, Koz, Greg Kurstin, Julia Michaels, Andrew Watt, and Andrew Wells.

This is the third LP for the Louisville-based emo band known for their strong live shows.

The Canadian folk/punk trio third full-length release was inspired by graveyards in France and Belgium from the World Wars.

The late singer-songwriter was nearly done with this highly anticipated album at the time of his death in 2003.

The twin-CD set 'New Moon' compiles two dozen rare tracks recorded by the late singer-songwriter from 1994-1997.

The compilation contains tracks from the Heatmiser singer's previous eight solo albums.

The soundtrack to the 2014 Elliott Smith documentary features outtakes, demos, alternative takes, and unreleased songs.

The debut full-length release of Canadian singer-songwriter Linnea Siggelkow was produced by Jake Aron.

The debut full-length release from London-based pop singer-songwriter Eloïse was produced with Conor Albert.

The debut full-length solo release for the Minneapolis born composer was written during the summer in the Adirondack Mountains and in the winter on an island in Lake Superior.

The veteran singer's first completely self-produced album is his first studio recording since 2001's 'Songs From The West Coast.'

This ten-song effort is a sequel to the singer's 1975 album 'Captain Fantastic And The Brown Dirt Cowboy.'

The two talented singer-songwriters and accomplished pianists pair up to release a duet album of original songs, featuring production by T-Bone Burnett.

Produced by T-Bone Burnett, the first solo album in over seven years for the pop singer-songwriter is a return to the more stripped down sound of his earlier career built around a piano, bass and drums.

The deluxe remastered release of the Rocket Man's 1973 album includes a disc of b-sides and covers by such artists as The Band Perry, Fall Out Boy, John Grant, Hunter Hayes, Imelda May, Miguel, Emili Sande, Ed Sheeran, and Zac Brown Band. The Super Deluxe adds a complete recording of the December 1973 Hammersmith concert and a DVD of Bryan Forbes' 1973 film, Elton John and Bernie Taupin Say Goodbye To Norma Jean and Other Things.

The 33rd studio release for the British singer-songwriter was co-produced with T-Bone Burnett.

The eight-disc set includes two discs of Elton John's favorite tracks of his, three discs of rare demo tracks from 1965-1971, 2 discs of B-sides from 1976-2005, a 16-track soundtrack called And This Is Me for his 2019 memoir Me, and a 100-page hardcover book.

The latest full-length release for the pop singer-songwriter features both new originals and cover songs recorded remotely with such artists as 6LACK, Jimmie Allen, Glen Campbell, Brandi Carlile, Miley Cyrus, Gorillaz, SG Lewis, Lil Nas X, Dua Lipa, Nicki Minaj, Stevie Nicks, Charlie Puth, Rina Sawayama, Surfaces, Eddie Vedder, Stevie Wonder, Years & Years, and Young Thug.

The 50th anniversary edition of Elton John's 1972 album includes a remaster of the original album as well as session outtakes and eight live recordings from his 1972 Royal Festival Hall show.

The Australian duo of Nick Littlemore and Peter Mayes, who were signed onto Elton John's management company after hearing their debut, reworked some of Elton John's songs from the 1970s on this release.

Portland, Ore. ambient electronica artist Matthew Cooper returns with a fourth album.

Heavily influenced by neoclassical icons like Erik Satie and Philip Glass, the experimental musician Eluvium (aka Matthew Cooper) is set to release Similes. It's an eight-song album featuring three key musical elements: percussion, a verse-chorus song structure, and singing.