The 10th full-length release for Kieran Hebden as Four Tet features vocals from Ellie Goulding on "Baby."

This is the latest full-length release from British indie electronic artist Four Tet.

The fourth album for the rock band from Massachusetts is its first without keyboardist Josh Lyford.

The five-track EP for the Massachusetts pop-punk band was produced by Machine.

The sixth full-length release for the Massachusetts pop-punk band was produced by Kurt Ballou.

The debut full-length studio release for New Jersey artist Fousheé features a guest appearance from Lil Uzi Vert.

The debut release for Liturgy's Greg Fox and Oneida's Kid Millions was recorded in two separate sessions.

The debut full-length release for British pop singer-songwriter Louisa Rose Allen, who won a Grammy for her work on Zedd's Clarity.

The second full-length release for the British pop singer-songwriter features songs co-written by Babyface, Kid Harpoon, and Bastille's Dan Smith.

The third full-length for Foxes was written and recorded over zoom during the COVID-19 pandemic.

The second full-length release for the Brooklyn-based Canadian singer-songwriter Warren Hildebrand includes contributions from Owen Pallett.

The second full-length release for the post-rock band was produced by Matt Baylees.

The third full-length release for the St. Louis indie rock band was produced by Matt Bayles.

The fourth full-length release for the Connor Murphy-led trio was produced by Andy Hull of Manchester Orchestra.

This is the debut full-length release for the Andy Shauf band that includes Dallas Bryson, Darryl and Avery Kissick.

The rapper from Brooklyn releases her much-delayed follow-up to 2001's "Broken Silence."

The fourth album for the Cleveland rock band was produced by The Darkness' Justin Hawkins

This is the first release on Jagjaguwar for the indie rock duo of Jonathan Rado and Sam France.

The second full-length release for the psychedelic rock duo was produced by Richard Swift.

The third full-length studio release for the California psych rock band formed by Sam France and Jonathan Rado features contributions from such artist as Wayne Coyne, Of Montreal’s Kevin Barnes, Tim Presley of White Fence, and Bleached.

The fifth full-length release for the indie rock duo of Sam France and Jonathan Rado features a full symphony orchestra conducted by Trey Pollard and contributions from Matthew E. White, The Flaming Lips' Steve Drozd and The Lemon Twigs.

The fifth full-length release for Jonathan Rado and Sam France was self-produced and mixed by Shawn Everett.

This is the fifth full-length release for the Texas duo of David Dewese and Jerry James.

Upon first listen, Joy of Nothing -- Irish singer/songwriter Foy Vance's second solo outing and first for Glassnote -- invokes name like Bruce Springsteen, Van Morrison, Cat Stevens, and Harry Chapin, and while the big, soulful AOR rock that's closely associated with those names indeed applies, there's an impassioned rawness at play here that suggests a steady diet of musical outliers like Jackie Leven, Robbie Robertson, Nicolai Dunger, and Richard Thompson. Steeped in the bold, big-sky expansiveness of the American Southwest, yet devoid of any of its machismo, Vance milks courage and strength from unflinching emotional honesty. Songs like the nervy "At Least My Heart Was Open," the bluesy, midtempo "Feel for Me," the arena-ready opener "Closed Hand, Full of Friends," and the gorgeous title cut, the latter of which posits "The joy of nothing is a sweeter something," are carried along by a refreshing sense of optimism, a word that is used quite infrequently when referring to records of the confessional singer/songwriter persuasion. Another plus is Vance's big, bluesy voice, which falls somewhere between the weathered, midnight croon of Ray LaMontagne and the woodsy howl of John Fogerty, and it adds an air of rusty authenticity to measured, country-folk confections like "Janey," "Regarding Your Letter," and the lush and languid midtempo closer "Guiding Light," the latter of which features a guest vocal from Ed Sheeran. There's certainly nothing subtle about Joy of Nothing, as it's not afraid of making a grandiose statement, both musically and lyrically, but it never feels like Vance is putting on a front. After all, you can’t play things close to the vest with your heart on your sleeve. ~ James Christopher Monger

Executive produced by Elton John, the third full-length release for the Northern Ireland singer-songwriter was recorded in Nashville with Jacquire King.

The third full-length release from the Chilean trio was self-recorded with additional synth sounds from Atom TM.

The fourth full-length studio release for the Chilean duo recorded their parts individually and then had Uwe Schmidt to assemble them into four tracks.

The fifth full-length release from Chilean group Föllakzoid were recorded separately and then constructed together by producer Atom™ (aka Uwe Schmidt).

Producer Ian Brennan recorded the Northern Ghana trio's funeral procession music live.

The debut full-length release for the Florida hardcore band was produced by Jack Shirley.

Paul McCartney and Neko Case appear as guest performers on the Travis frontman's debut solo album.

The second full-length release for the Nashville indie-pop duo of Christina Cone and Andrew Doherty was produced by Josh Kaler and Lucius' Dan Molad.

The debut full-length solo release for the Hop Along singer was recorded with her Hop Along bandmate, Joe Reinhart.

This is the debut full-length album for the band led by Francis Farewell Starlite; he remixed Kanye West's "Can't Tell Me Nothing" and worked with Drake on "Thank Me Later."

The compilation collects recordings from the Cameroon artist's earlier works from between 1975 and 1982.

The debut full-length solo release for ex-WU LYF member Tom McClung was produced by Brendan Williams.

The second full-length solo release for the ex-Wu Lyf bassist was recorded in Wales with Brendan Williams and Robin Koob.

The fourth album for the Bristol, England-based indie pop band led by Frenchman Francois Marry is its first on the Domino label.

The fourth full-length release for the Afropop-influenced indie pop band led François Marry was produced by Ash Workman.

The fourth full-length release for the indie rock band led by François Marry features contributions from Owen Pallett and was produced by Ash Workman.

The sixth full-length release for the indie-pop band led by François Marry was produced by Jaakko Eino Kalevi.

The 27th solo release for the French pop singer is based on her novel of the same name.

The latest release for the French pop singer-songwriter follows a six-year hiatus where she battled with lymphatic cancer that temporarily left her in a coma and losing her voice.

This unusual set from the Pixies frontman includes a disc of demo solo recordings dating from 1987, and a second disc of new studio recordings of an assortment of Pixies songs by Black with collaborators such as Pere Ubu and Two Pale Boys.

Before reuniting The Pixies, Black recorded this mellow solo disc in four days in a Nashville studio, backed by veteran southern session musicians.

The typically prolific Black returns with a 27-song, two-disc set produced by Jon Tiven. Among the many musicians lending a hand are Spooner Oldham and Levon Helm (The Band).

Recorded direct to two-track, 'Black Letter Days' features a stripped-down sound for the former Pixie and his current band. And if the 18 new tracks here (including not one but two covers of Tom Waits' "The Black Rider") aren't enough for you, there's even more on the companion release, 'Devil's Workshop.'

One of two simultaneous releases (Black Letter Days being the other), Devil's Workshop is perhaps the more straightforward of the pair, although like its companion it was recorded direct to 2-track, representing a back-to-basics approach for Black and Co.

He's nothing if not prolific. Black's fourth album in two and a half years features 13 new tracks and appearances from some of his usual cohorts (Stan Ridgway, Joey Santiago).

The remastered collection of all six Frank Black and the Catholics albums also features the unreleased 2000 album Sunday Sunny Mill Valley Groove Day and a disc of demos and alternative takes of songs.

The debut release for the new band led by former Gallows and Pure Love singer Frank Carter was produced by Thomas Mitchener.

The second full-length release for the British hardcore punk band was mixed by Catherine Marks and recorded by Thomas Mitchener.

Recorded over six month with producer Cam Blackwood, the third full-length release for the former Gallows frontman with The Rattlesnakes features a guest appearance from Tom Morello and was mixed by Alan Moulder.

The fourth full-length studio release for the British rock band features guest appearances from Cassyette, Bobby Gillespie, Lynks, and Joe Talbot.

The fifth full-length release from British punk band Frank Carter & The Rattlesnakes features ballads, pianos, strings, and synths.

The second full-length release (the debut was under the name Frnkiero and the Cellabration) for the punk project for the My Chemical Romance guitarist with Alex Grippo, Evan Nestor, and Matt Olsson.

The mixtape was released as a free download on Frank Ocean's Tumblr.

Love and life in Los Angeles is the theme of the debut release on Def Jam for Frank Ocean, who earlier this month posted online the liner notes for this album describing a relationship he had with a man.

After several days of streaming video of himself building a wooden staircase, Frank Ocean releases an 18-track visual album on Apple Music.

Just a a day after he released his Visual album Endless, Ocean releases a 17-track album on Apple Music (and a 12-track version at pop-up stores included a Boys Don't Cry artbook/magazine) featuring contributions from Beyonce, Jonny Greenwood of Radiohead, Kendrick Lamar, Rick Rubin, and Kanye West.

The former singer for the UK punk band Million Dead releases his third solo album.

The third EP for the folk-rock singer includes a song that will appear on England Keep My Bones, his next full-length album set to be released in June 2011.

This is the fourth studio album for the British folk rock singer-songwriter.

This is a second compilation of B-sides and live recordings from 2009-2011 from the folk and punk singer.

The fifth full-length solo studio release for the British singer-songwriter was produced by Rich Costey.

The sixth full-length release for the British folk-punk artist was produced by Butch Walker.

The seventh full-length studio release for the British singer-songwriter was produced by Joshua Block, Austin Jenkins and Charlie Hugall.

The eighth full-length release for the British singer-songwriter features an all-female band for songs about 13 women from history (including his mother) and was produced by Catherine Marks.

The ninth full-length release for British artist Frank Turner was produced and mixed by Rich Costey.

The six-disc box set of the rock artists' 1969 album features four discs of session recordings, a disc of rare remixes and a disc of outtakes.

The three-disc compilation features 25 rare and unreleased tracks recorded in mostly in 1970 by Frank Zappa with Max Bennett, Aynsley Dunbar, Don "Sugarcane" Harris, and Ian Underwood.

The debut album for the British band was produced by Edwyn Collins.

The second release for the British indie pop band was produced by Bernard Butler.

The third full-length release for the British indie rock band is its first with The Futureheads' Ross Millard as a full-time member and was produced by MJ.

This is the second full-length studio release for the indie-pop project of Greta Kline.

The latest release for the New York indie pop project of Greta Kline is its first on the Sub Pop label.

The fourth full-length release for the Greta Kline-led band was co-produced with Gabe Wax.

The fifth full-length release for Frankie Cosmos was recorded in Brooklyn with co-producers Nate Mendelsohn and Katie Von Schleicher.

The debut full-length release for the singer-songwriter was developed over three years while he worked on a Minnesota hog farm.

Unreleased songs from demo tapes of the British singer-songwriter who suffered a brain hemorrhage in 1994 were mixed with new recordings of such artists as Kim Carnes, Paul Carrack, Hotei Tomoyasu, Elton John, Kid Rock, Huey Lewis, Willie Nelson, John Parr, Rod Stewart, Bonnie Tyler, and Joe Walsh.

Now credited without the Outs, Frankie Rose's second solo album looks toward the 1980s for sound influences.

The third full-length release for the garage rock singer was co-produced with Michael Cheever.

The fourth full-length release for the indie-pop artist was produced with Jorge Elbrecht.

This is the first full-length solo release from Brooklyn-based indie-pop artist Frankie Rose in six years.

Frankie Rose, who previously was in several up-and-coming indie rock bands, such as Vivian Girls, Dum Dum Girls, and Crystal Stilts, returns with the debut album for her own band.

Vincent Frank's debut album was coproduced with Stuart Price.

The most hyped band to come out of the UK in early 2004 is Glasgow, Scotland's Franz Ferdinand, an art-rock quartet who make their full-length debut with this self-titled release, the winner of the UK's coveted Mercury Music Prize in 2004.

The Scottish band's eagerly-awaited follow-up to their acclaimed self-titled debut is preceded by yet another insanely catchy single, "Do You Want To."

The third album for the UK rock band was produced by Dan Carey.

The band's thrid album, "Tonight" is dub remixed by producer Dan Carey.

The fourth full-length studio release for the Scottish indie rock band was self-produced.

The fifth full-length release for the Scottish indie rock band band was produced by Philippe Zdar of Cassius and is the first with Julian Corrie (who took over for Nick McCarthy).

The greatest hits compilation from Franz Ferdinand features two new tracks: "Curious" and "Billy Goodbye."

The debut solo album for The Hold Steady's Franz Nicolay.

This is the debut full-length release for the Australian singer-songwriter.