- Critic score
- Publication
- By date
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The upstate New York quintet's assured performances act as a suitable memorial [to Pike]. [22/29 Aug 2008, p.122]
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FilterWith lyrics appropriated from an e.e. cummings poem of the same name ["Dying is Fine"] contrasting with bouncy guitar riffs, the creation feels fresh; the past, unforgetable. [Summer 2008, p.91]
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You won’t hear anything on The Rhumb Line you haven’t heard before, but that doesn’t prevent it from being one of the year’s best debuts.
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Alternative PressThere's something simple and true about The Rhumb Line--and Ra Ra Riot--that draws you back to both again and again. [Sep 2008, p.150]
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Part of what makes The Rhumb Line so engaging is that it's ultimately life-affirming: It's not only a requiem for a lost friend, it's a tribute to the ones who stuck around through the worst times.
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The album holds together, not only as a memorial to past tragedy but also as a testament to whatever emotional terrain lies ahead.
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The Rhumb Line--defined as a straight-shot line across all meridians, for the geospatially uninitiated--mostly just thrums with an uncommon sort of pop radiance.
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Ra Ra Riot sound elated to have finally arrived at this point: the release of their debut, the payoff after a very tough year, and the proof that they're one of 2008's most promising newcomers.
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Ra Ra Riot persevered (and recently added West Hartford drummer Gabriel Duquette to the lineup), recording a full-length debut by turns soulful and super-catchy.
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Loss flows through The Rhumb Line's veins, ineffable but vital. Someday I'm sure I'll turn to this record for consolation, and for that I'm both sad and grateful.
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It's rare for a band to survive the death of a key member, but Ra Ra Riot are actually thriving, turning The Rhumb Line from a potential "what could've been" record into a rousing, poignant testament to Pike's life and his former bandmates' resilience.
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The ship does not capsize; The Rhumb Line instead drops anchor as a solid debut that beckons refinement and experimentation further down its course.
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The Rhumb Line is at times moody and downtrodden, but it's Ra Ra Riot's ability to pull out of those situations that saves the album.
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Counting a violinist and cellist among their ranks, Ra Ra Riot has fashioned a gritty yet polished post-punk sound fit for a Sofia Coppola film.
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Anchored by four tracks from a previous EP that were re-recorded with the hooks highlighted, this nimble full-length wrings catharsis from pop with no lapses into pretension.
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Rhumb Line gives the impression that mostly good things are ahead.
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While the first five songs on The Rhumb Line are uniformly strong, the album starts to lose its momentum just after cresting the halfway point.
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Q MagazineThis effervescent debut seems determined to shake off the tragedy. [Oct 2008, p.150]
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UncutTheir combination of new wave rhythms, with such conspicuous use if strings is impressive, but it falls a little short of grandeur. [Oct 2008, p.105]
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Under The RadarThe Rhumb Line is a step in the right direction but still a few feet away from the type of anthemic songs I believe they have in them. [Fall 2008, p.84]
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Mildness and friendliness help things flow along so nicely, in fact, that The Rhumb Line softens the impact of generally nuanced and energetic songwriting.
User score distribution:
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Positive: 18 out of 20
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Mixed: 0 out of 20
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Negative: 2 out of 20
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AndrewN.Aug 20, 2008Easily one of the year's best, though i think the music critics don't know quite what to do with it. production is excellent.