The UK five-piece worked with producer Tchad Blake for this fourth LP.

The second set of demos from the Weezer singer ranges from 1993 to 2008.

Produced by Nick Franglen of Lemon Jelly, 'Hobo Sapiens' finds the 61-year-old Cale still willing to explore new musical territory. Note that none of the 12 songs here were on the "5 Tracks" EP released earlier in 2003.

This is the much-heralded debut album from the English foursome, produced by Steve Osbourne.

The indie rock quartet led by music producer Jace Lasek and his wife Olga releases its second album on the Jagjaguwar label.

Featuring basically the same lineup as the defunct Chicago band Red Red Meat, Califone makes their Thrill Jockey debut with this mix of country, blues, folk, and electronic elements.

The rerelease of the two-night concert at Madison Square Garden in 1969 features five unreleased tracks and tracks from the opening acts: BB King and Ike & Tina Turner.

Don't know Bonnie "Prince" Billy? You may know him better by his given name, Will Oldham, who recorded under his name as well as Palace Music throughout the 1990s. This is his third album under the Billy moniker, and features contributions from members of Lambchop.

The London-based rock trio make their full-length debut with this disc, produced by Edwyn Collins.

Art Alexakis & Co. finally return with a successor to 2000's 'Songs From An American Movie' pair of albums... but is anyone still listening?

The first album released on their new label Blank.wav was written and produced by the band.

The Boise, Idaho trio returns with a follow-up to 1999's 'Keep It Like A Secret.'

The third album for the Philadelphia band is its first on the Anti label.

The group featuring ex-Noise Ratchet founders releases its debut album, which was recorded in a cabin in Julian, CA.

The seventh album for the Minnesota alt-country outfit features a smaller-than-usual lineup of songwriter/vocalist Gary Louris, bassist Marc Perlman and drummer Tim O'Reagan, joined by new guitarist Stephen McCarthy. Matthew Sweet and Jakob Dylan guest.

This is the second album (and Saddle Creek debut) for the San Francisco duo of Adam Stephens and Tyson Vogel.

Ugly Casanova is the alter ego of Modest Mouse singer/guitarist Isaac Brock, who makes his solo debut with this release. The 13 tracks were produced by Brian Deck (Tortoise, Sea and Cake), and the backing band includes Pall Jenkins (Black Heart Procession) and Tim Rutili (Red Red Meat), but it sounds a lot like a Modest Mouse release.

The fourth album for the rock band formed by Kim Deal of the Pixies was produced by Steve Albini.

Ted Leo, formerly of Chisel, returns with his fourth album of punk-influenced singer-songwriter indie-folk rock.

The final album for the industrial rock band.

After refusing to change the band's name, the trio of brothers from Detroit were turned away by Clive Davis of Columbia Records and the album was never completed. The surviving songs receive a proper album release some 30-plus years later from Drag City.

The Beastie Boys' Adam Yauch produced this first release in a dozen years for the original lineup of the lengendary hardcore punk outfit.

The second full-length (not including a collection of EPs) from Britain's heralded Beta Band is just as eclectic as the band's first outing, combining pop and indie rock with touches of hip hop and electronica. The ten new tracks are highlighted by the singles "Squares" and "Broke." (And if the immodest album title reminds you of the Stone Roses' 'Second Coming,' don't worry--the comparisons end there.)

The Dave Pirner-led band's first album in eight years includes tracks recorded with the group's late bassist Karl Mueller as well as The Replacements' Tommy Stinson (who, yes, served as a replacement).

This is the sophomore album for the metal band from Austin, Texas.

The folk rock band from upstate New York formed by three brothers and their friend releases its first studio album in the US.

The second album for the rock band led by John J. McCauley III, now includes three new members.

The fifth album from the British rockers is their first U.S. release in five years.

This is the second album for the eclectic indie-rock band fronted and founded by John Schmersal (Brainiac). For this outing, the band has expanded to a four-piece, with new members Matt Schultz and former Blonde Redhead bassist Toko Yasuda (who replaces Steve Calhoon and handles some vocals).

The Scottish rockers fronted by Roddy Woomble reunite with producer Dave Eringa for this follow-up to 2005's 'Warnings/Promises.'

The third studio album for the heralded British band features 13 new self-produced tracks.

The fourth album from Jakob Dylan & Co. includes lead single "When You're on Top" and a bonus cover of Elvis Costello's "(What's So Funny 'bout) Peace, Love & Understanding." Long-time guitarist Michael Ward has left the group, leaving room for Pearl Jam's Mike McCready to provide some of the lead guitar on the album.

Tchad Blake co-produced the singer-songwriter's seventh album. The Red Hot Chili Peppers' Flea guests.

The sophomore album for the Chicago-based instrumental band was produced by Matt Bayles.

The Australian rockers, who have attracted attention in their homeland and in Europe with their early EPs, make their full-length debut with this LP.

The all-female indie-rock band from Brighton, England (who in the past have crossed Stereolab's love for vintage electronics with a more raucous sound) worked with producer Steve Albini on this second full-length, which incorporates vocals into the mix for the first time.

The British psychedelic rock band's third album was produced by Tchad Blake and Chris Sheldon.

The sixth album for the Canadian group is the first credited under the shortened name of Thee Silver Mt. Zion Memorial Orchestra.

This is the second solo LP from the co-founder of such legendary alt-country bands as Uncle Tupelo and Son Volt.

This is the Ohio band's fourth album of jazzy prog-rock.

The sophomore album for Joan Wasser features Rufus Wainwright as a guest vocalist on one track.

The fifth and final album from The Delgados (released on the band's own Chemikal Underground label) was co-produced with Tony Doogan. It ditches the strings of its orchestral predecessor, 'Hate,' to take a much poppier approach.

'Valende' is the third album overall and American debut for the Italian psychedelic rock band Jennifer Gentle. (Note that there is nobody in the band actually named Jennifer, and we are unsure about exactly how gentle they are.)

This lengthily-titled album marks a reunion for the band with producer David Kahne. Included here is a cover of Joe Jackson's "Is She Really Going Out With Him?"

The fifth album for the Detroit rock band features a reference to its 2003 hit 'Gay Bar.'

The 11th album for the Anton Newcombe-led rock band features the return of bassist/guitarist Matt Hollywood, who left the group in 1999.

The second disc for Prince Paul and Dan The Automator finds the producer pair joined by Cat Power, RZA, Jack Johnson, Julee Cruise and Pharrell Williams.

The four-track EP features songs recorded during and after the "Loyalty To Loyalty" sessions.

The debut five-track EP for the California-based singer was produced by Band Of Horses' Bill Reynolds.

The third album for the English band was produced by Black Francis (aka Frank Black).

The Chicago rock band's latest album is also the soundtrack to the film of the same name.

The two-disc set for the Scottish indie-rock band includes the reissues of two EPs, an LP, several demos, and live tracks recorded in the late 1980s.

The fourth album for the indie rock band from Montreal.

A 20-track compilation of B-sides, studio outtakes, and radio performances from the Mercury Music Prize-winning band.

This is the second album for the Long Island indie rock band.

This solo disc from the Posies member features guest appearances from Jill Sobule and members of Velocity Girl, Oranger and the Posies.

This sophomore LP (and U.S. debut) for the English band was produced by the Cocteau Twins' Simon Raymonde.

The indie rock band's first full-length releases in the US was originally self-released at its concert tour.

The Glasgow, Scotland-based band follow 2000's stunning 'The Great Eastern' with this, their fourth (and almost equally stunning) LP. Dave Fridmann (Mercury Rev) returns as producer.

This is the veteran Australian band's 17th album.

The jam rock band's latest release was produced by Steve Lillywhite.

This is the third album for the English band led by brothers Alex and Tom White, who are also members of the band Brakes.

This disc marks the first new studio recording for the Jason Molina-led four-piece since he dropped the Songs: Ohia name. (Just to be confusing, however, the new band name was the title of the last Songs: Ohia album.)

The seventh album for the English trio is its first in more than five years.

The acclaimed Argentinean artist returns with her fourth album of moody, electronica-infused indie-folk.

The UK band (now named in triplicate in the U.S.) fronted by former British Sea Power member Eamon Hamilton recorded this brief second album in Nashville.

This is the fifth album for the Swedish rock band led by Gustav Ejstes.

Bryce Goggin (Phish, Pavement) produced this final album for Dean Wareham & co., who have since announced their intent to disband. It includes a new version of the song "Astronaut" from the 2003 EP 'Close Cover Before Striking.'

The debut album for the African artist features guest appearances by M.I.A. and Vampire Weekend's Ezra Koenig.

Onelinedrawing is the alter ego for Sacramento, Calif.-based singer/guitarist Jonah Matranga, formerly of the emo band Far.

The Portland, Oregon indie band led by Justin Ringle releases its third album.

Taking the best of post-punk, new wave, and pop as inspiration, Sunderland's Futureheads were among the best of the U.K.'s "angular" movement. Their capability of delivering their trademark pop thrills on this album sustains their position as Sunderland's sharpest export.

The newest album for the duo from Connecticut.

This is the fourth album for the metal band from Chicago.

This is the third album for the New York-based duo of Joshua Klein and Hewson Chen, who are frequently compared to (and sound like) Stephin Merritt bands (Magnetic Fields, Future Bible Heroes) and 80s outfits such as OMD. Included here is a cover of Husker Du's "Green Eyes."

This electronic-rock effort marks the full-length solo debut for Omaha, Neb.-based Denver Dalley of Desaparecidos.

Marc Bianchi's latest album of electronica-infused indie-pop was recorded in "extreme isolation" in California.

Recorded at the same time and released on the same day, 'Aw C'Mon' and 'No, You C'Mon' are actually intended as separate albums, rather than two parts of a double album. The Nashville String Machine lends strings to each.

Originally released in Japan in 2000, 'Gold And Green' finally reaches U.S. shores at a non-import price on Thrill Jockey. Yuko Honda and Sean Lennon guest.

The Brooklyn trio's third album, produced by John Agnello (Dinosaur Jr.), marks their debut for Sub Pop.

Phil Ek produced the second album for the band (formerly known as Dios) fronted by Joel Morales.

The sophomore solo album for the Mojave 3 and Slowdive member.

Mike Kinsella's latest solo album under the name Owen was recorded over two years.